{"title":"解构爱尔兰教育艺术实践根源的政策叙事:扮演角色的教师的潜在替代品?","authors":"Ailbhe Curran, Dorothy Morrissey","doi":"10.1080/03323315.2023.2279520","DOIUrl":null,"url":null,"abstract":"ABSTRACT‘Arts-in-education’ and teacher-artist partnership have been a key focus of recent policy in Irish arts education. However, recent research studies have highlighted how at times these partnerships can be problematic and teachers can become sidelined when such interventions occur. This article offers a new perspective on such research by exploring how the language of policy texts and the broader neoliberal discourse in which they are framed may impact the positioning of teachers and thus their possibilities for practice within partnerships. Using a critical policy lens, this article deconstructs the policy texts that have embedded ‘arts-in-education’ practice in Ireland and highlights some of the hidden narratives which have positioned the teacher as ‘other’ within Irish arts education policy. In doing so, it aims to illuminate the process of ‘othering’ within policy for researchers, policy-makers and teachers, and outline the potential implications of such positioning for the provision of arts education in primary schools.KEYWORDS: Positioningpartnershipneoliberalismarts-in-educationdiscourse analysis Disclosure statementNo potential conflict of interest was reported by the author(s).Notes1 Music Generation is a national partnership programme which aims to create access to performance music education for children and young people in Ireland, from age 0 to 18. It is co-funded by U2, The Ireland Funds, the Department of Education and Local Music Education Partnerships.Additional informationFundingThis research was supported with funding from Mary Immaculate College (University of Limerick) and the Teaching Council of Ireland.Notes on contributorsAilbhe CurranAilbhe Curran is a PhD scholar in the Department of Arts Education and Physical Education at Mary Immaculate College, University of Limerick. She also works as a teacher and deputy principal at a primary school in the Republic of Ireland. Ailbhe holds an MA in Education and the Arts and a Post-Graduate Diploma in School Leadership (University of Limerick). Ailbhe’s research interests lie in arts education, creativity and teacher agency.Dorothy MorrisseyDorothy Morrissey is a lecturer in drama education at Mary Immaculate College, University of Limerick. 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引用次数: 0
摘要
“教育中的艺术”和教师与艺术家的合作关系一直是爱尔兰艺术教育近期政策的重点。然而,最近的研究表明,有时这种伙伴关系可能会出现问题,当这种干预发生时,教师可能会被边缘化。本文通过探索政策文本的语言和更广泛的新自由主义话语如何影响教师的定位,从而影响他们在合作伙伴关系中实践的可能性,为此类研究提供了一个新的视角。本文使用关键的政策镜头,解构了在爱尔兰嵌入“教育中的艺术”实践的政策文本,并强调了一些隐藏的叙事,这些叙事将教师定位为爱尔兰艺术教育政策中的“他者”。在此过程中,它旨在为研究人员、政策制定者和教师阐明政策中的“他者”过程,并概述这种定位对小学艺术教育提供的潜在影响。关键词:定位伙伴关系新自由主义教育市场话语分析披露声明作者未报告潜在的利益冲突。注1音乐一代是一项国家合作计划,旨在为爱尔兰0至18岁的儿童和年轻人提供表演音乐教育。它是由U2、爱尔兰基金、教育部和当地音乐教育合作伙伴共同资助的。本研究得到了利默里克大学圣母无玷学院和爱尔兰教学委员会的资助。作者简介:ailbhe Curran是利默里克大学圣母玛利亚学院艺术教育和体育系的博士学者。她还在爱尔兰共和国的一所小学担任教师和副校长。她拥有教育和艺术硕士学位,以及利默里克大学(University of Limerick)学校领导研究生文凭。她的研究方向是艺术教育、创造力和教师代理。多萝西·莫里西(Dorothy Morrissey)是利默里克大学玛丽圣母学院戏剧教育讲师。她拥有英国布里斯托尔大学的教育学博士学位(叙事探究),最近出版了爱尔兰政府教育部委托的报告《创意集群:在学校培养创造力的合作方法》。多萝西是国家课程和评估委员会小学艺术教育发展小组的成员,并在艺术、艺术教育、教师与艺术家的伙伴关系和性别方面发表了大量文章。
Deconstructing the policy narratives at the root of arts-in-education practice in Ireland: a potential othering of teachers at play?
ABSTRACT‘Arts-in-education’ and teacher-artist partnership have been a key focus of recent policy in Irish arts education. However, recent research studies have highlighted how at times these partnerships can be problematic and teachers can become sidelined when such interventions occur. This article offers a new perspective on such research by exploring how the language of policy texts and the broader neoliberal discourse in which they are framed may impact the positioning of teachers and thus their possibilities for practice within partnerships. Using a critical policy lens, this article deconstructs the policy texts that have embedded ‘arts-in-education’ practice in Ireland and highlights some of the hidden narratives which have positioned the teacher as ‘other’ within Irish arts education policy. In doing so, it aims to illuminate the process of ‘othering’ within policy for researchers, policy-makers and teachers, and outline the potential implications of such positioning for the provision of arts education in primary schools.KEYWORDS: Positioningpartnershipneoliberalismarts-in-educationdiscourse analysis Disclosure statementNo potential conflict of interest was reported by the author(s).Notes1 Music Generation is a national partnership programme which aims to create access to performance music education for children and young people in Ireland, from age 0 to 18. It is co-funded by U2, The Ireland Funds, the Department of Education and Local Music Education Partnerships.Additional informationFundingThis research was supported with funding from Mary Immaculate College (University of Limerick) and the Teaching Council of Ireland.Notes on contributorsAilbhe CurranAilbhe Curran is a PhD scholar in the Department of Arts Education and Physical Education at Mary Immaculate College, University of Limerick. She also works as a teacher and deputy principal at a primary school in the Republic of Ireland. Ailbhe holds an MA in Education and the Arts and a Post-Graduate Diploma in School Leadership (University of Limerick). Ailbhe’s research interests lie in arts education, creativity and teacher agency.Dorothy MorrisseyDorothy Morrissey is a lecturer in drama education at Mary Immaculate College, University of Limerick. She holds an EdD (Narrative Inquiry) from the University of Bristol (UK) and is the author of a recently published Government of Ireland, Department of Education commissioned report Creative Clusters: A collaborative approach to cultivating creativity in schools. Dorothy is a member of the National Council for Curriculum and Assessment Primary Arts Education Development Group and has published widely on the arts, arts education, teacher-artist partnership, and gender.