{"title":"从英国青花瓷的“柳纹”看中国风格在清代的传播","authors":"Haiying Liu, Yuting Xie","doi":"10.54097/hiaad.v4i1.11966","DOIUrl":null,"url":null,"abstract":"This paper takes the example of the development of blue and white porcelain with \"willow pattern\" in Britain, and examines the reasons and significance of the spread of Chinese ceramics, so as to illustrate the prevalence of \"Chinese style\" of ceramics, Chinese ceramics have also had a profound impact on British and European aesthetics, and the Chinese style has slowly spread.","PeriodicalId":262395,"journal":{"name":"Highlights in Art and Design","volume":"24 1","pages":"0"},"PeriodicalIF":0.0000,"publicationDate":"2023-08-28","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"From the British \\\"willow Pattern\\\" of Blue and White Porcelain to See the Spread of Chinese Style in the Qing Dynasty\",\"authors\":\"Haiying Liu, Yuting Xie\",\"doi\":\"10.54097/hiaad.v4i1.11966\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"This paper takes the example of the development of blue and white porcelain with \\\"willow pattern\\\" in Britain, and examines the reasons and significance of the spread of Chinese ceramics, so as to illustrate the prevalence of \\\"Chinese style\\\" of ceramics, Chinese ceramics have also had a profound impact on British and European aesthetics, and the Chinese style has slowly spread.\",\"PeriodicalId\":262395,\"journal\":{\"name\":\"Highlights in Art and Design\",\"volume\":\"24 1\",\"pages\":\"0\"},\"PeriodicalIF\":0.0000,\"publicationDate\":\"2023-08-28\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Highlights in Art and Design\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.54097/hiaad.v4i1.11966\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"\",\"JCRName\":\"\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Highlights in Art and Design","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.54097/hiaad.v4i1.11966","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
From the British "willow Pattern" of Blue and White Porcelain to See the Spread of Chinese Style in the Qing Dynasty
This paper takes the example of the development of blue and white porcelain with "willow pattern" in Britain, and examines the reasons and significance of the spread of Chinese ceramics, so as to illustrate the prevalence of "Chinese style" of ceramics, Chinese ceramics have also had a profound impact on British and European aesthetics, and the Chinese style has slowly spread.