葡萄牙语中重读元音历史上的变化和变化:对过去诗歌押韵的解释

Juliana Simões FONTE, Gladis MASSINI-CAGLIARI
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引用次数: 0

摘要

本研究旨在通过对13、15、16和17世纪葡萄牙语诗歌押韵的观察,探讨该时期葡萄牙语中重读元音的发音。语料库包括阿方索十世的《圣玛丽亚的颂歌》、加西亚·德·雷森德的《将军的颂歌》、Camões的《奥斯Lusíadas》和Gregório·德·马托斯的十四行诗。知道古代文字,就像现在一样,只有两个字素来表示葡萄牙语中重读元音的音素,在这项工作中评估了由相同字素表示的中元音之间押韵的可能性和不可能性。这项研究的结果表明,至少在15世纪到17世纪之间,葡萄牙语中重读元音的语音一直在变化,而且在某些情况下,这种变化导致了整个语言历史的变化。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
VARIATION AND CHANGE IN THE HISTORY OF THE STRESSED MID VOWELS OF THE PORTUGUESE LANGUAGE: AN INTERPRETATION OF THE RHYMES OF THE POETRY FROM THE PAST
ABSTRACT This research aims to investigate the pronunciation of the stressed mid vowels in Portuguese of the 13th, 15th, 16th and 17th centuries, through the observation of the rhymes of the poetry from that period. The corpora comprise the Cantigas de Santa Maria by Alfonso X, the Cancioneiro Geral by Garcia de Resende, Os Lusíadas by Camões and the sonnets by Gregório de Matos. Knowing that the ancient writing, like the present, had only two graphemes to represent phonemes concerning stressed mid vowels of Portuguese, the possibilities and impossibilities of rhyme between mid vowels represented by identical graphemes were evaluated in this work. The results of this research suggest that there was constant phonetic variation in the speech of the stressed mid vowels of the Portuguese language, between the 15th and 17th centuries (at least), and that, in some cases, this variation resulted in a change, throughout the history of the language.
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