“Encanto”电影海报中的语言和视觉符号

I Wayan Jason Karenski, Ida Ayu Made Puspani, I Wayan Mulyawan
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引用次数: 0

摘要

本研究以符号学理论为研究对象,以电影《Encanto》海报为研究对象。本研究的目的是识别“Encanto”电影海报中包含的符号学符号,并分析“Encanto”电影海报中完成的符号的意义。本研究的数据是《Encanto》的6张电影海报。本研究采用方便抽样的方法来回答研究问题。数据来源于互联网电影海报奖(http://www.impawards.com)。根据Dyer的verbal and visual indicators(1982)的概念对数据进行理论分析。其次,根据索绪尔的能指和所指理论(引用于Chandler, 2007)分析符号的意义,并以Olesen(2013)的颜色术语作为支持。那些电影海报上有九种语言符号。这些电影海报中的视觉标志,如外观、方式、活动、背景和颜色。用奥尔森的色彩术语来表达色彩的意义。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Verbal and Visual Sign in “Encanto” Movie Posters
This research deals with the movie poster of “Encanto” as the object of the study under semiotic theory. The aim of this research is to identify the semiotic signs that are contained in “Encanto” movie posters and to analyse the meaning of signs that are accomplished in “Encanto” movie posters. The data of this research is 6 movie posters of “Encanto”. This research employed a convenience sampling method to answer the research question. The data was taken from the Internet Movie Poster Awards on http://www.impawards.com. The data was analyzed based on the theory according to Dyer's concept of verbal and visual indicators (1982). Second, the meanings of the signs were analyzed according to the theory of signifiers and signified by Saussure (cited in Chandler, 2007) and supported with the colour term by Olesen (2013). There were nine verbal signs in those movie posters. The visual signs in those movie posters such as appearance, manner, otivity, background, and the colour. The application of color meaning by using the color terms of Olesen.
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