Juliana Reinhardt, Michaela Tischer, Simon Schmid, Jochen Kollofrath, Ruben Burger, Philipp Jatzlau, Elisabeth Bushart, Matthias Goldammer, Christian U. Grosse
{"title":"Cy Twombly作品的x射线检查:“原始雕塑”的艺术技术和状态","authors":"Juliana Reinhardt, Michaela Tischer, Simon Schmid, Jochen Kollofrath, Ruben Burger, Philipp Jatzlau, Elisabeth Bushart, Matthias Goldammer, Christian U. Grosse","doi":"10.1186/s40494-023-01073-5","DOIUrl":null,"url":null,"abstract":"Abstract What are Cy Twombly’s sculptures made of? This article presents an overview of a non-destructive examination conducted on three sculptures by American artist Cy Twombly (1928–2011) as part of an art-technological research project at the Doerner Institut in Munich. The artworks are part of the collection of the Brandhorst Museum and belong to Twombly’s series of so-called ‘Original Sculptures’: assemblages of individual found objects, which the artist covered and modified with layers of plaster and white paint. To develop a long-term preservation strategy, the research focused on understanding the materials and construction methods used in Twombly's sculptures. In collaboration with the Chair of Non-Destructive Testing at the Technical University of Munich, the artworks were inspected using X-ray radiography and computed tomography. The results showed that Cy Twombly used various everyday objects made from wood, plastics, metal, and paper/cardboard to build the assemblages. Unexpectedly, the examinations revealed that the individual parts are solely held together by the coating of plaster and paint, lacking additional mechanical connections. The overall structure thus proved to be very fragile and highly sensitive to physical stresses, whether due to handling, transport, or strains in the microstructure caused by climatic fluctuations. Since little was known about Cy Twombly´s choice of materials and manufacturing details, the results offer valuable insights into the overall artistic process and decision-making of one of the most influential artists of the 20th/twenty-first centuries. Conservators can use the art-technological findings to monitor the sculptures ‘condition and develop or adapt long-term preservation strategies, including aspects such as ambient climatic conditions and handling storage and transport specifications. In addition, the knowledge generated can be used for further research on the specific materials and transferred to other artworks by Cy Twombly.","PeriodicalId":13109,"journal":{"name":"Heritage Science","volume":"97 25","pages":"0"},"PeriodicalIF":2.6000,"publicationDate":"2023-11-10","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"X-ray-based examination of artworks by Cy Twombly: art technology and condition of the ‘Original Sculptures’\",\"authors\":\"Juliana Reinhardt, Michaela Tischer, Simon Schmid, Jochen Kollofrath, Ruben Burger, Philipp Jatzlau, Elisabeth Bushart, Matthias Goldammer, Christian U. Grosse\",\"doi\":\"10.1186/s40494-023-01073-5\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"Abstract What are Cy Twombly’s sculptures made of? This article presents an overview of a non-destructive examination conducted on three sculptures by American artist Cy Twombly (1928–2011) as part of an art-technological research project at the Doerner Institut in Munich. The artworks are part of the collection of the Brandhorst Museum and belong to Twombly’s series of so-called ‘Original Sculptures’: assemblages of individual found objects, which the artist covered and modified with layers of plaster and white paint. To develop a long-term preservation strategy, the research focused on understanding the materials and construction methods used in Twombly's sculptures. In collaboration with the Chair of Non-Destructive Testing at the Technical University of Munich, the artworks were inspected using X-ray radiography and computed tomography. The results showed that Cy Twombly used various everyday objects made from wood, plastics, metal, and paper/cardboard to build the assemblages. Unexpectedly, the examinations revealed that the individual parts are solely held together by the coating of plaster and paint, lacking additional mechanical connections. The overall structure thus proved to be very fragile and highly sensitive to physical stresses, whether due to handling, transport, or strains in the microstructure caused by climatic fluctuations. Since little was known about Cy Twombly´s choice of materials and manufacturing details, the results offer valuable insights into the overall artistic process and decision-making of one of the most influential artists of the 20th/twenty-first centuries. Conservators can use the art-technological findings to monitor the sculptures ‘condition and develop or adapt long-term preservation strategies, including aspects such as ambient climatic conditions and handling storage and transport specifications. In addition, the knowledge generated can be used for further research on the specific materials and transferred to other artworks by Cy Twombly.\",\"PeriodicalId\":13109,\"journal\":{\"name\":\"Heritage Science\",\"volume\":\"97 25\",\"pages\":\"0\"},\"PeriodicalIF\":2.6000,\"publicationDate\":\"2023-11-10\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Heritage Science\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.1186/s40494-023-01073-5\",\"RegionNum\":1,\"RegionCategory\":\"艺术学\",\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"Q2\",\"JCRName\":\"CHEMISTRY, ANALYTICAL\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Heritage Science","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1186/s40494-023-01073-5","RegionNum":1,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"Q2","JCRName":"CHEMISTRY, ANALYTICAL","Score":null,"Total":0}
X-ray-based examination of artworks by Cy Twombly: art technology and condition of the ‘Original Sculptures’
Abstract What are Cy Twombly’s sculptures made of? This article presents an overview of a non-destructive examination conducted on three sculptures by American artist Cy Twombly (1928–2011) as part of an art-technological research project at the Doerner Institut in Munich. The artworks are part of the collection of the Brandhorst Museum and belong to Twombly’s series of so-called ‘Original Sculptures’: assemblages of individual found objects, which the artist covered and modified with layers of plaster and white paint. To develop a long-term preservation strategy, the research focused on understanding the materials and construction methods used in Twombly's sculptures. In collaboration with the Chair of Non-Destructive Testing at the Technical University of Munich, the artworks were inspected using X-ray radiography and computed tomography. The results showed that Cy Twombly used various everyday objects made from wood, plastics, metal, and paper/cardboard to build the assemblages. Unexpectedly, the examinations revealed that the individual parts are solely held together by the coating of plaster and paint, lacking additional mechanical connections. The overall structure thus proved to be very fragile and highly sensitive to physical stresses, whether due to handling, transport, or strains in the microstructure caused by climatic fluctuations. Since little was known about Cy Twombly´s choice of materials and manufacturing details, the results offer valuable insights into the overall artistic process and decision-making of one of the most influential artists of the 20th/twenty-first centuries. Conservators can use the art-technological findings to monitor the sculptures ‘condition and develop or adapt long-term preservation strategies, including aspects such as ambient climatic conditions and handling storage and transport specifications. In addition, the knowledge generated can be used for further research on the specific materials and transferred to other artworks by Cy Twombly.
期刊介绍:
Heritage Science is an open access journal publishing original peer-reviewed research covering:
Understanding of the manufacturing processes, provenances, and environmental contexts of material types, objects, and buildings, of cultural significance including their historical significance.
Understanding and prediction of physico-chemical and biological degradation processes of cultural artefacts, including climate change, and predictive heritage studies.
Development and application of analytical and imaging methods or equipments for non-invasive, non-destructive or portable analysis of artwork and objects of cultural significance to identify component materials, degradation products and deterioration markers.
Development and application of invasive and destructive methods for understanding the provenance of objects of cultural significance.
Development and critical assessment of treatment materials and methods for artwork and objects of cultural significance.
Development and application of statistical methods and algorithms for data analysis to further understanding of culturally significant objects.
Publication of reference and corpus datasets as supplementary information to the statistical and analytical studies above.
Description of novel technologies that can assist in the understanding of cultural heritage.