探索多种方法深化研究:亚洲艺术史(2021-2022)

Yeoung Shin Shim
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引用次数: 0

摘要

在过去的两年里,亚洲艺术史领域的研究在数量和质量上都持续增长。这种增长是由各种尝试推动的,这些尝试塑造了观看艺术品的视角,并开发了新的研究方法。一般来说,有四种主要的研究方法,重点仍然放在通过风格和图像分析的视觉解释上。探索艺术生产的社会背景或对特定时期的感知的文章数量也有所增加。此外,还包括了基于物质文化研究和视觉文化研究方法的讨论。BR在此背景下,本文注重对艺术史感知框架的反思性思考,以及超越传统视觉分析的新视角研究。此外,本文重点研究了以前较少探索的新主题,例如女性在艺术中的表现。这些成就是由我们学术界的共同意识推动的,即需要探索新的视角和研究方向。通过这些新的视角和方法,为解读艺术作品开辟了新的可能性,亚洲艺术史的质量增长将在未来继续蓬勃发展。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Deepening Research Through Exploration of Various Methodologies: Asian Art History (2021-2022)
Over the past two years, research in the field of Asian art history has continued to grow both in quantity and quality. This growth has been driven by various attempts to shape the perspective of viewing artworks and to develop new methodologies for research. Generally, there are four primary research methodologies, with a significant emphasis still placed on visual interpretation through the analysis of style and iconography. The number of articles exploring the social context of art production or the perception of specific periods has also increased. Additionally, discussions based on the approaches of material culture studies and visual culture studies have also been included.BR In this context, this paper pays attention to reflective considerations on the framework of art historical perception and research from new perspectives that go beyond traditional visual analysis. Furthermore, this paper focuses on research into new subjects that were previously less explored, such as the representation of women in art. These achievements have been driven by a shared awareness within our academic community of the need to explore new perspectives and research directions. It is expected that through these new perspectives and methodologies, which open up new possibilities for interpreting artworks, the qualitative growth of Asian art history will continue to thrive in the future.
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