生、死与复活的叙事:北美玉米神话与朗费罗诗歌《海华沙之歌》之比较(五)

Kyungook Lee
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摘要

本文的目的是将北美印第安人的玉米神话与亨利·沃兹沃思·朗费罗的诗歌《海华沙之歌》进行比较,主要关注玉米的起源。本文研究了两种类型的玉米神话:一种是可食用植物的神话主题,另一种是在成人仪式中有可食用植物的神话主题。关于第一种神话,我们考察了切罗基人的玉米神话。在这个神话中,一位母亲女神的形象在得到她的允许后被她的两个儿子谋杀并埋葬。随着时间的流逝和他们的奉献,玉米芽从她的尸体上长出来,长出了穗子。女神之母被杀象征着人们依靠狩猎或采集野生植物或水果的时代的结束。然而,玉米作为神圣礼物的概念反映在玉米是女神母亲形象牺牲的结果这一事实中。简而言之,农业的开始,生命的循环,死亡和重生,以及谷物作为神的神圣身体都隐含在这种类型的神话中。关于第二种神话,我们考察了奥德布威神话。在这个神话中,母亲女神的形象被一个神圣的男性形象所取代,这个男性形象被一个正在经历一段时间禁食的信徒所谋杀,这是北美印第安人的一种成人仪式。在禁食期间,初学者与一个神圣的年轻人摔跤并击败了他。就像在切罗基神话中一样,他被允许谋杀这个年轻人,然后独自埋葬他。在适当的时候,他能够按照年轻人前面提到的指示收获玉米。朗费罗的《海华沙之歌》第五部取材于奥德布威玉米神话。在他的诗中,他把玉米的起源归功于海华沙。尽管在仪式中保持了可食用植物的主题,但他特别强调了生物之间的有机关系以及生命,死亡和重生的循环。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
The Narrative of Life, Death and Resurrection: A Comparison between North American Corn Myths and Longfellow’s Poem The Song of Hiawatha Part 5
The aim of this thesis is to compare North American Indian corn myths with the poem written by Henry Wardsworth Longfellow, The Song of Hiawatha, focusing mainly on the origin of corn. Two types of corn myths are examined in this thesis: one having an edible plant mytheme, and the other having an edible plant mytheme within a rite of passage mytheme. In regard to the first type of myth, the Cherokee corn myth is examined. In this myth a mother-goddess figure is murdered and buried by her two sons after receiving her permission. With passage of time and with their devotion, corn sprouts rose from her corpse, grew, and bore ears. The murder of the goddess-mother symbolizes the end of the age in which people relied on hunting or gathering wild plants or fruits. Nevertheless, the concept of corn as a divine gift is reflected in the fact that corn is the outcome of the sacrifice of the goddess-mother figure. In brief, the beginning of agriculture, the cycle of life, death and rebirth, and corn as the sacred body of divinity are implied in this type of myth. In regard to the second type of myth, the Odjbway myth is examined. In this myth, a mother-goddess figure is replaced by a divine male figure who is murdered by an initiate who is going through a period of fasting, a kind of rite of passage for North American Indians. During the fasting period, the initiate wrestles with a divine young man and defeats him. As in Cherokee myth, he is permitted to murder the young man and bury him on his own. And in due time he is able to harvest corn by following the young man’s aforementioned indication. Part V of Longfellow’s the Song of Hiawatha is based on the Odjbway corn myth. In his poem, he gives credit to Hiawatha for the origination of corn. Despite maintaining an edible plant mytheme within a rite of passage mytheme, he particularly highlights organic relations among creatures and a cycle of life, death, and rebirth.
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