作为民族内交流语言的俄罗斯传统舞蹈

Olga V. Galtseva
{"title":"作为民族内交流语言的俄罗斯传统舞蹈","authors":"Olga V. Galtseva","doi":"10.15507/2078-9823.063.023.202303.268-286","DOIUrl":null,"url":null,"abstract":"Introduction. The article aims to determine the nature of the participation of folk dance in the process of forming the ethnic and national identity of the Russian people. For this purpose, the dance is considered as a means of social communication and analyzed by the example of the most common variants of its application in the practice of everyday and festive communication of the Russian rural population of the Nizhny Novgorod region of the second half of the 20th century. Materials and Methods. In the process of working on the article, a comparative historical method was used, which allowed us to present the dynamics of the historical development of traditional dance from the end of the 19th to the second half of the 20th centuries. The structural and functional method was also used which made it possible to determine the main functions of dance culture in the life of the rural community. These methods were used in combination with the analysis of historiographical works and sources, as well as methods of field research. Results. Russian folk dance has undergone a number of changes over a certain historical period. Initially, it had a ritual and cult significance, developed within the framework of the male military tradition, and was used in the rituals of the calendar and wedding cycles. In the 20th century, the communicative potential of dance began to be directed to the rural community. Dance becomes the universal language of festive communication. It acquires the significance of one of the components of national identity after the Victory in the Great Patriotic War. Discussion and Conclusion. The ethno-cultural significance of dance in the life of a rural community in the second half of the 20th century can be illustrated by the culmination of the annual village festival. During it, the dance of men, successors of their kind, heirs of the winners and defenders of the Fatherland, brings a final, life-affirming and archaic meaning to the general emotional unity. It proclaims the right of all participants in the holiday to live in their own land and honor their ancestors.","PeriodicalId":494773,"journal":{"name":"Гуманитарий","volume":"38 1","pages":"0"},"PeriodicalIF":0.0000,"publicationDate":"2023-09-30","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Russian Traditional Dance as a Language of Intraethnic Communication\",\"authors\":\"Olga V. Galtseva\",\"doi\":\"10.15507/2078-9823.063.023.202303.268-286\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"Introduction. The article aims to determine the nature of the participation of folk dance in the process of forming the ethnic and national identity of the Russian people. For this purpose, the dance is considered as a means of social communication and analyzed by the example of the most common variants of its application in the practice of everyday and festive communication of the Russian rural population of the Nizhny Novgorod region of the second half of the 20th century. Materials and Methods. In the process of working on the article, a comparative historical method was used, which allowed us to present the dynamics of the historical development of traditional dance from the end of the 19th to the second half of the 20th centuries. The structural and functional method was also used which made it possible to determine the main functions of dance culture in the life of the rural community. These methods were used in combination with the analysis of historiographical works and sources, as well as methods of field research. Results. Russian folk dance has undergone a number of changes over a certain historical period. Initially, it had a ritual and cult significance, developed within the framework of the male military tradition, and was used in the rituals of the calendar and wedding cycles. In the 20th century, the communicative potential of dance began to be directed to the rural community. Dance becomes the universal language of festive communication. It acquires the significance of one of the components of national identity after the Victory in the Great Patriotic War. Discussion and Conclusion. The ethno-cultural significance of dance in the life of a rural community in the second half of the 20th century can be illustrated by the culmination of the annual village festival. During it, the dance of men, successors of their kind, heirs of the winners and defenders of the Fatherland, brings a final, life-affirming and archaic meaning to the general emotional unity. It proclaims the right of all participants in the holiday to live in their own land and honor their ancestors.\",\"PeriodicalId\":494773,\"journal\":{\"name\":\"Гуманитарий\",\"volume\":\"38 1\",\"pages\":\"0\"},\"PeriodicalIF\":0.0000,\"publicationDate\":\"2023-09-30\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Гуманитарий\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.15507/2078-9823.063.023.202303.268-286\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"\",\"JCRName\":\"\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Гуманитарий","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.15507/2078-9823.063.023.202303.268-286","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
引用次数: 0

摘要

介绍。本文旨在确定民族舞蹈在俄罗斯民族民族认同形成过程中的参与性质。为此,舞蹈被认为是一种社会交流的手段,并以20世纪下半叶下诺夫哥罗德地区俄罗斯农村人口日常和节日交流中最常见的舞蹈变体为例进行分析。材料与方法。在撰写这篇文章的过程中,我们使用了比较历史的方法,这使我们能够呈现出传统舞蹈从19世纪末到20世纪下半叶的历史发展动态。运用结构与功能的方法,确定了舞蹈文化在农村社区生活中的主要功能。这些方法与史学著作和史料的分析以及实地调查的方法相结合。结果。俄罗斯民间舞蹈在一定的历史时期经历了许多变化。最初,它具有仪式和崇拜的意义,在男性军事传统的框架内发展起来,并用于日历和婚礼周期的仪式。在20世纪,舞蹈的交流潜力开始被引导到农村社区。舞蹈成为节日交流的通用语言。卫国战争胜利后,它获得了民族认同的组成部分之一的意义。讨论与结论。舞蹈在20世纪下半叶农村社区生活中的民族文化意义可以通过每年一度的乡村节日的高潮来说明。在此期间,男人的舞蹈,他们的继承者,胜利者和祖国的捍卫者的继承人,给一般的情感统一带来了最终的,肯定生命的和古老的意义。它宣布所有参加节日的人都有权生活在自己的土地上,并纪念他们的祖先。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Russian Traditional Dance as a Language of Intraethnic Communication
Introduction. The article aims to determine the nature of the participation of folk dance in the process of forming the ethnic and national identity of the Russian people. For this purpose, the dance is considered as a means of social communication and analyzed by the example of the most common variants of its application in the practice of everyday and festive communication of the Russian rural population of the Nizhny Novgorod region of the second half of the 20th century. Materials and Methods. In the process of working on the article, a comparative historical method was used, which allowed us to present the dynamics of the historical development of traditional dance from the end of the 19th to the second half of the 20th centuries. The structural and functional method was also used which made it possible to determine the main functions of dance culture in the life of the rural community. These methods were used in combination with the analysis of historiographical works and sources, as well as methods of field research. Results. Russian folk dance has undergone a number of changes over a certain historical period. Initially, it had a ritual and cult significance, developed within the framework of the male military tradition, and was used in the rituals of the calendar and wedding cycles. In the 20th century, the communicative potential of dance began to be directed to the rural community. Dance becomes the universal language of festive communication. It acquires the significance of one of the components of national identity after the Victory in the Great Patriotic War. Discussion and Conclusion. The ethno-cultural significance of dance in the life of a rural community in the second half of the 20th century can be illustrated by the culmination of the annual village festival. During it, the dance of men, successors of their kind, heirs of the winners and defenders of the Fatherland, brings a final, life-affirming and archaic meaning to the general emotional unity. It proclaims the right of all participants in the holiday to live in their own land and honor their ancestors.
求助全文
通过发布文献求助,成功后即可免费获取论文全文。 去求助
来源期刊
自引率
0.00%
发文量
0
×
引用
GB/T 7714-2015
复制
MLA
复制
APA
复制
导出至
BibTeX EndNote RefMan NoteFirst NoteExpress
×
提示
您的信息不完整,为了账户安全,请先补充。
现在去补充
×
提示
您因"违规操作"
具体请查看互助需知
我知道了
×
提示
确定
请完成安全验证×
copy
已复制链接
快去分享给好友吧!
我知道了
右上角分享
点击右上角分享
0
联系我们:info@booksci.cn Book学术提供免费学术资源搜索服务,方便国内外学者检索中英文文献。致力于提供最便捷和优质的服务体验。 Copyright © 2023 布克学术 All rights reserved.
京ICP备2023020795号-1
ghs 京公网安备 11010802042870号
Book学术文献互助
Book学术文献互助群
群 号:481959085
Book学术官方微信