介绍:混音经典

IF 0.5 2区 文学 0 FILM, RADIO, TELEVISION
Erin Sullivan
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引用次数: 0

摘要

摘要:本文借鉴了Remixing the Classics研究网络的研究成果,强调了数字文化和经典文学对当今改编研究的重要性。它从数字媒体对适应性创造力和适应性研究的影响的历史记录开始,特别是在21世纪特许经营文化和跨媒体叙事的背景下。然后,它为经典文学与这些领域的持续相关性提供了一个案例,尽管它在适应研究中的重要性有所下降,在跨媒体研究中几乎不可见。这种情况基于三个论点:这些文本在义务教育中的持续中心地位,通过经典作品表达进步政治参与的激进改编的潜力,以及反复改编的文学阐明文化变革的特殊能力。引言最后总结了这期杂志的内容,并断言新媒体对老故事和老故事对新媒体的艺术、教育和政治意义。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Introduction: Remixing the Classics
Abstract Drawing on the findings of the Remixing the Classics research network, this introduction highlights the importance of both digital culture and classic literature to adaptation studies today. It starts with a historiographical account of digital media’s impact on adaptive creativity and adaptation studies, particularly in light of twenty-first-century franchise culture and transmedia storytelling. It then makes a case for the continued relevance of classic literature to these fields, despite its decreased prominence within adaptation studies and its near-invisibility in transmedia studies. That case is grounded in three arguments: the continued centrality of these texts in compulsory education, the potential for radical adaptations to articulate progressive political engagements through canonical works, and the special ability of repeatedly adapted literature to illuminate cultural change. The introduction finishes with a summary of the issue’s contents and an assertion of the artistic, pedagogical, and political significance of new media to old stories and old stories to new media.
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CiteScore
0.60
自引率
0.00%
发文量
16
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