情感城市:城市机械组合的制图

Yota Passia, Panagiotis Roupas
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引用次数: 0

摘要

在复杂性理论和动态系统理论中,城市通常被认为是一个在空间和时间尺度上发生密集相互作用的不断变化的领域,但我们无法用这些术语来感知或描述它。我们工作的主要目标是重新定义空间-本体论和认识论-以揭示其相互作用的无形系统。因此,城市是通过连接主义模型来表现的,通过表现其各个部分的相互联系。该项目将城市理论化为一种多样性,一种充满可能性的空间结构,同时试图在城市的属性、趋势和能力之间建立联系。虽然属性是真实的,可以观察到的,但倾向和能力存在于虚拟层面,一旦行使就会变成现实。他们精心绘制的地图根据可获得的信息的密度和强度绘制了不同程度的区域,将它们指向城市的功能岛。在这个框架中,Hecate成为了城市的虚拟地图,这是一种互动机制,能够实时地破译、绘制和连接叠加的意义层,为城市的布局和行为提供信息。作为一个由不同强度的丰富互联节点组成的可视化网络,每个节点都代表着系统和城市之间的信息流,Hecate被引入作为一个视觉思维工具来实时感知它们。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
The Affective City: Cartography of Machinic Urban Assemblages
While the city is generally perceived -within complexity theory and dynamic systems theory as a changing field of dense interactions that occur in a range of spatial and temporal scales, we are unable to perceive it or describe it in these terms. The main goal of our work is to redefine space - ontologically and epistemologically- in order to reveal the invisible system of its interactions. Thus, the city is represented via a connectionist model, by means of the representation of the interconnections of its various parts. The project theorizes the city as a multiplicity, a structure of spaces of possibilities while at the same time trying to establish a liaison between the city's properties, tendencies and capacities. While properties are actual and can be observed, tendencies and capacities lie in the virtual level and become actual once exercised. Their intensive cartographies map zones of varying degrees regarding the density and intensity of information that is available pointing them as the city's islands of affordances. In this framework, Hecate becomes the city's virtual map, an interactive mechanism able to decipher, map and connect the superimposed layers of significance informing the city's layout and behavior, in real time. Visualized as a network of richly interconnected nodes of varying intensities, each representing information flows between the system and the city, Hecate is introduced as a visual thinking tool to perceive them in real time.
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