{"title":"当代建筑中的自由构图","authors":"Glib Ushakov","doi":"10.32347/2077-3455.2023.66.84-94","DOIUrl":null,"url":null,"abstract":"The article summarizes the features of free compositions based on the experience of modern world architecture, which, together with other methods, bring the scope of possibilities of modern architectural composition beyond traditional principles. It is proposed to divide the architectural compositions according to orderliness into the following classes: ordered composition; free composition; a combination of ordered and free composition. The features of free compositions are considered: complexity, diversity, the absence of a simple and clear regularity of the arrangement of parts. A free composition is perceived as a complex, spatial, diverse collection of parts and surfaces. Peculiarities of perception and awareness of free compositions, which differ from perception and awareness of traditional ordered compositions, are analyzed. \nExamples of modern buildings created on the basis of free compositions are given. The main trend of modern architecture, where free compositions were introduced, is deconstructivism. However, architects working in other trends and creative approaches also used free compositions. The substantiation of this powerful phenomenon, realized in significant buildings, is based on the creativity of such modern architects as: Günter Behnisch, Frank Gehry, Toyo Ito, Rem Koolhaas, Daniel Libeskind, Eric Owen Moss, Thom Mayne, Wolf Dieter Prix, Zaha Hadid etc. \nAn approximate generalization of methodical approaches to the creation of free compositions is proposed: free compositions based on a combination of various volumes; free compositions based on the combination of various fragments of surfaces; free compositions based on complex surfaces with various sections; physically variable free compositions (transformation of facade systems or parts of the building); illusory and variable free compositions (media facades installed on surfaces or external projection systems, holographic systems); free compositions based on the use of means of alternative materiality (transparent surfaces, mirror surfaces, light forms, forms from streams of water or steam, etc.).","PeriodicalId":319540,"journal":{"name":"Current problems of architecture and urban planning","volume":"67 1","pages":"0"},"PeriodicalIF":0.0000,"publicationDate":"2023-04-14","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Free compositions in contemporary architecture\",\"authors\":\"Glib Ushakov\",\"doi\":\"10.32347/2077-3455.2023.66.84-94\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"The article summarizes the features of free compositions based on the experience of modern world architecture, which, together with other methods, bring the scope of possibilities of modern architectural composition beyond traditional principles. It is proposed to divide the architectural compositions according to orderliness into the following classes: ordered composition; free composition; a combination of ordered and free composition. The features of free compositions are considered: complexity, diversity, the absence of a simple and clear regularity of the arrangement of parts. A free composition is perceived as a complex, spatial, diverse collection of parts and surfaces. Peculiarities of perception and awareness of free compositions, which differ from perception and awareness of traditional ordered compositions, are analyzed. \\nExamples of modern buildings created on the basis of free compositions are given. The main trend of modern architecture, where free compositions were introduced, is deconstructivism. However, architects working in other trends and creative approaches also used free compositions. The substantiation of this powerful phenomenon, realized in significant buildings, is based on the creativity of such modern architects as: Günter Behnisch, Frank Gehry, Toyo Ito, Rem Koolhaas, Daniel Libeskind, Eric Owen Moss, Thom Mayne, Wolf Dieter Prix, Zaha Hadid etc. \\nAn approximate generalization of methodical approaches to the creation of free compositions is proposed: free compositions based on a combination of various volumes; free compositions based on the combination of various fragments of surfaces; free compositions based on complex surfaces with various sections; physically variable free compositions (transformation of facade systems or parts of the building); illusory and variable free compositions (media facades installed on surfaces or external projection systems, holographic systems); free compositions based on the use of means of alternative materiality (transparent surfaces, mirror surfaces, light forms, forms from streams of water or steam, etc.).\",\"PeriodicalId\":319540,\"journal\":{\"name\":\"Current problems of architecture and urban planning\",\"volume\":\"67 1\",\"pages\":\"0\"},\"PeriodicalIF\":0.0000,\"publicationDate\":\"2023-04-14\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Current problems of architecture and urban planning\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.32347/2077-3455.2023.66.84-94\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"\",\"JCRName\":\"\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Current problems of architecture and urban planning","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.32347/2077-3455.2023.66.84-94","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
引用次数: 0
摘要
本文在总结现代世界建筑经验的基础上,总结了自由构图的特点,它与其他方法一起,使现代建筑构图的可能性范围超越了传统的原则。建议将建筑构图按有序程度分为以下几类:有序构图;自由组合;有序与自由的结合。自由作品的特点是:复杂性,多样性,缺乏简单和清晰的规则安排的部分。一个自由的组合被认为是一个复杂的,空间的,不同的部分和表面的集合。分析了自由作文的感知和意识不同于传统有序作文的感知和意识的特点。在自由构图的基础上创造的现代建筑的例子给出。引入自由构图的现代建筑的主要趋势是解构主义。然而,在其他趋势和创造性方法中工作的建筑师也使用自由构图。这种强大的现象在重要建筑中得以实现,其基础是现代建筑师的创造力,如:g nter Behnisch, Frank Gehry, Toyo Ito, Rem Koolhaas, Daniel Libeskind, Eric Owen Moss, Thom Mayne, Wolf Dieter Prix, Zaha Hadid等。提出了创作自由作品的方法的大致概括:基于各种卷的组合的自由作品;基于各种表面碎片组合的自由组合;基于不同截面的复杂表面的自由组合;物理上可变的自由组合(立面系统或建筑物部分的改造);虚幻和可变的自由组合(安装在表面或外部投影系统,全息系统上的媒体立面);基于使用替代材料(透明表面、镜面、光线形式、水流或蒸汽形式等)的自由构图。
The article summarizes the features of free compositions based on the experience of modern world architecture, which, together with other methods, bring the scope of possibilities of modern architectural composition beyond traditional principles. It is proposed to divide the architectural compositions according to orderliness into the following classes: ordered composition; free composition; a combination of ordered and free composition. The features of free compositions are considered: complexity, diversity, the absence of a simple and clear regularity of the arrangement of parts. A free composition is perceived as a complex, spatial, diverse collection of parts and surfaces. Peculiarities of perception and awareness of free compositions, which differ from perception and awareness of traditional ordered compositions, are analyzed.
Examples of modern buildings created on the basis of free compositions are given. The main trend of modern architecture, where free compositions were introduced, is deconstructivism. However, architects working in other trends and creative approaches also used free compositions. The substantiation of this powerful phenomenon, realized in significant buildings, is based on the creativity of such modern architects as: Günter Behnisch, Frank Gehry, Toyo Ito, Rem Koolhaas, Daniel Libeskind, Eric Owen Moss, Thom Mayne, Wolf Dieter Prix, Zaha Hadid etc.
An approximate generalization of methodical approaches to the creation of free compositions is proposed: free compositions based on a combination of various volumes; free compositions based on the combination of various fragments of surfaces; free compositions based on complex surfaces with various sections; physically variable free compositions (transformation of facade systems or parts of the building); illusory and variable free compositions (media facades installed on surfaces or external projection systems, holographic systems); free compositions based on the use of means of alternative materiality (transparent surfaces, mirror surfaces, light forms, forms from streams of water or steam, etc.).