塑胶海滩乌托邦:Gorillaz在当代流行音乐文化背景下的多媒体概念计划

Natalia Samutina
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摘要

本文旨在分析数字时代音乐产业最普遍的问题。它提出了一个关于当代流行音乐创新和概念发展的可能性的问题,充满了复古狂热。“概念专辑”这种形式越来越流行,并转变为概念多媒体项目,被认为是音乐制作和发行变化的积极标志。对英国乐队“街头霸王”(Gorillaz)的多媒体概念项目这一特殊案例进行详细的文化分析,证明了在当今流行娱乐的框架下,一项实质性的文化和音乐创新是如何存在的。Gorillaz的最后一张录音室专辑《Plastic Beach》(2010)以乌托邦和乌托邦的意象为概念,将音乐呈现为音乐家之间自由而有意义的合作空间,以及创造多样化的听众社区。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Plastic Beach Utopia: Gorillaz' Multimedia Concept Project in the Context of Contemporary Popular Music Culture
The paper aims to provide analysis of the most general problems of the music industry in the digital age. It poses a question about the possibility of innovation and conceptual development in contemporary popular music, overflowed with retromania. A growing popularity of such form as a “concept album” and its transformation into concept multimedia projects is regarded as a positive sign of the changes in music production and distribution. Detailed cultural analysis of one particular case, the multimedia concept project by the British band Gorillaz, demonstrates how a substantial cultural and musical innovation can exist today in the framework of popular entertainment. The last studio album by Gorillaz, called Plastic Beach (2010) works with the concept of Utopia and utopian imagery, presenting music as a space for free and meaningful collaboration among musicians and for the creation of the diverse community of listeners.
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