{"title":"颤抖的身体。康拉德-斯莫林斯基作品中的声音","authors":"Marta Lisok","doi":"10.52652/e.1.21.8","DOIUrl":null,"url":null,"abstract":"The subject of the text is the use of sound in contemporary art, based on the works of Konrad Smoleński. The reception of his art in the context of the metaphor of the trembling body of the recipient becomes a sign of a counterbalance to the mediated visual experiences inscribed in contemporary culture.","PeriodicalId":215373,"journal":{"name":"Elementy. Sztuka i Dizajn","volume":"48 1","pages":"0"},"PeriodicalIF":0.0000,"publicationDate":"2021-08-20","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"CIAŁA, KTÓRE DRŻĄ. DŹWIĘK W TWÓRCZOŚCI KONRADA SMOLEŃSKIEGO\",\"authors\":\"Marta Lisok\",\"doi\":\"10.52652/e.1.21.8\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"The subject of the text is the use of sound in contemporary art, based on the works of Konrad Smoleński. The reception of his art in the context of the metaphor of the trembling body of the recipient becomes a sign of a counterbalance to the mediated visual experiences inscribed in contemporary culture.\",\"PeriodicalId\":215373,\"journal\":{\"name\":\"Elementy. Sztuka i Dizajn\",\"volume\":\"48 1\",\"pages\":\"0\"},\"PeriodicalIF\":0.0000,\"publicationDate\":\"2021-08-20\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Elementy. Sztuka i Dizajn\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.52652/e.1.21.8\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"\",\"JCRName\":\"\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Elementy. Sztuka i Dizajn","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.52652/e.1.21.8","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
CIAŁA, KTÓRE DRŻĄ. DŹWIĘK W TWÓRCZOŚCI KONRADA SMOLEŃSKIEGO
The subject of the text is the use of sound in contemporary art, based on the works of Konrad Smoleński. The reception of his art in the context of the metaphor of the trembling body of the recipient becomes a sign of a counterbalance to the mediated visual experiences inscribed in contemporary culture.
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