通过艺术与设计的转换考察艺术商品设计

Mei-Huang Hsieh, S. Guan
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引用次数: 1

摘要

近年来,伴随着文化创意产业的快速发展,艺术与设计领域的合作也越来越频繁。虽然这两个领域强调的维度有所不同,这意味着存在分歧,但通过在合作之前的沟通中达成共识可以实现协调,从而创造一个对所有相关方都有利的结果。基于这一概念,我们通过考察基本的艺术和设计概念,分析了艺术家和设计师在考虑方面的分歧。该分析还考虑了这些领域之间的差异。随后,我们分析了目前艺术与设计之间的转换现象。根据目前艺术品成为设计商品的趋势,提出以下两种精神主导模式来描述艺术商品设计:1)艺术家主导模式和2)设计师主导模式。这两种模式产生了再生产、分解和创新等创新形式的转变。与这3种形态原则相对应的移位方式可分为“3T”模式:transfer、transit、transform。因此,我们可以通过确定艺术商品应该展示的以精神为主导的模式、形式原则和3T方法来达到协调各种目的和风格的共同目标。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
INVESTIGATING ARTISTIC COMMODITY DESIGN THROUGH THE SHIFT BETWEEN ART AND DESIGN
Accompanying the rapid development of cultural and creative industries in recent years, there has been frequent collaboration between art and design fields. Although the dimensions of emphasis vary between these two fields, implying the existence of a divergence, coordination can be achieved by reaching a consensus in communication prior to cooperation, thereby creating an outcome that is beneficial for all involved parties. Based on this concept, we analyzed the divergences between the considerations of artists and designers by examining fundamental art and design concepts. This analysis also considered the differences between these fields. Subsequently, we analyzed the present shifting phenomena between art and design. According to the current trend in which artwork is becoming a design commodity, the following 2 spirit-led models are proposed to describe artistic commodity design: 1) the artist-led model and 2) the designer-led model. These 2 models generate innovative form shifts such as reproduction, decomposition, and innovation. The shifting methods corresponding to these 3 form principles are classified into the “3T” models: transfer, transit, and transform. Therefore, we can achieve a common goal that coordinates varied purposes and styles by determining the sprit-led model, form principle, and 3T method that the artistic commodity should display.
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