{"title":"尼萨的格列高利《雅歌讲道》中的景观修辞","authors":"M. Ludlow","doi":"10.1163/9789004382046_014","DOIUrl":null,"url":null,"abstract":"This chapter examines Gregory of Nyssa’s exegesis of Song 2:10–13: he reads this as an ekphrasis of spring, which he then elaborates himself in a similar literary style. The chapter begins by examining the use of ekphrasis to describe gardens more generally, especially the way in which ancient gardens were symbols of nature tamed and bounded and the way in which they were blurred with the concept of the locus amoenus or pleasant natural space. Gardens are used in literature to express something about their owners or creators; they are used to evoke mood and to reflect on the art of words. Gregory shares this understanding of the ancient garden; he too uses ekphrasis to evoke a mood of awe and to arouse expectation; he uses it to depict the character of the lover in the Song/the divine Word, and to reflect on the nature of divine discourse.","PeriodicalId":161713,"journal":{"name":"Art, Craft, and Theology in Fourth-Century Christian Authors","volume":"63 1","pages":"0"},"PeriodicalIF":0.0000,"publicationDate":"2018-07-27","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"The Rhetoric of Landscape in Gregory of Nyssa’s Homilies on the Song of Songs\",\"authors\":\"M. Ludlow\",\"doi\":\"10.1163/9789004382046_014\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"This chapter examines Gregory of Nyssa’s exegesis of Song 2:10–13: he reads this as an ekphrasis of spring, which he then elaborates himself in a similar literary style. The chapter begins by examining the use of ekphrasis to describe gardens more generally, especially the way in which ancient gardens were symbols of nature tamed and bounded and the way in which they were blurred with the concept of the locus amoenus or pleasant natural space. Gardens are used in literature to express something about their owners or creators; they are used to evoke mood and to reflect on the art of words. Gregory shares this understanding of the ancient garden; he too uses ekphrasis to evoke a mood of awe and to arouse expectation; he uses it to depict the character of the lover in the Song/the divine Word, and to reflect on the nature of divine discourse.\",\"PeriodicalId\":161713,\"journal\":{\"name\":\"Art, Craft, and Theology in Fourth-Century Christian Authors\",\"volume\":\"63 1\",\"pages\":\"0\"},\"PeriodicalIF\":0.0000,\"publicationDate\":\"2018-07-27\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Art, Craft, and Theology in Fourth-Century Christian Authors\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.1163/9789004382046_014\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"\",\"JCRName\":\"\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Art, Craft, and Theology in Fourth-Century Christian Authors","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1163/9789004382046_014","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
The Rhetoric of Landscape in Gregory of Nyssa’s Homilies on the Song of Songs
This chapter examines Gregory of Nyssa’s exegesis of Song 2:10–13: he reads this as an ekphrasis of spring, which he then elaborates himself in a similar literary style. The chapter begins by examining the use of ekphrasis to describe gardens more generally, especially the way in which ancient gardens were symbols of nature tamed and bounded and the way in which they were blurred with the concept of the locus amoenus or pleasant natural space. Gardens are used in literature to express something about their owners or creators; they are used to evoke mood and to reflect on the art of words. Gregory shares this understanding of the ancient garden; he too uses ekphrasis to evoke a mood of awe and to arouse expectation; he uses it to depict the character of the lover in the Song/the divine Word, and to reflect on the nature of divine discourse.