吠陀赞美诗的思辨创作:《诗选》的解释学方法

S. Ghimire
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引用次数: 0

摘要

具体而言,本文旨在对认识论,特别是直觉和思辨两种知识生成方法做出知识贡献。与此同时,它通过揭示在文本中汇编的赞美诗和诗句的创作过程,参与吠陀研究。拉夫·托马斯·霍奇金·格里菲斯(Ralph Thomas Hotchkin Griffith, 1896)翻译的《梨格吠陀》中一些精选的诗句被作为信息来源。对这些诗和赞美诗的概念分析表明,这些诗和赞美诗的创作模式表明,它们是怀疑的,而不是权威的,并与微观世界和宏观世界的类比相结合。另一方面,没有证据表明直观的方法创造的诗句。因为一种观点——“知识是由当时的学者推测创造的,而不是由预言家凭直觉创造的”被提出。因此,本文揭开了超越吠陀亵渎的神秘知识的神秘面纱,对非创造的宗教哲学文本的信仰进行了解释学解释,作为一种反思和学术行为,提出了相反的认识论观点。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Speculative Creation of Vedic Hymns: Hermeneutic Approach to the Selected Verse
The article, specifically, aims to make a knowledge contribution in epistemology, especially intuition and speculation two approaches of knowledge making. At the same time, it engages into Vedic study by revealing the process of creating the hymns and verses that are compiled in the texts. Some selected verses from the Rigveda translated by Ralph Thomas Hotchkin Griffith (1896) were taken as a source of information. Conceptual analysis of these verses and hymns suggests a pattern which indicates that these were created skeptically rather than authoritatively, and synthesized with microcosm-macrocosm analogy. On the other hand, there is no evidence of intuitive approach of creating the verses. Since an argument- 'the knowledge was created speculatively by the then scholars not intuitively by the seers' is put forward. Hence, the paper demystifies the mystified knowledge surpassing the blasphemy of Veda, against the faith of uncreated religio-philosophical text the hermeneutic interpretation presents, as a reflective and scholarly act, an opposite epistemological perspective.
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