文学创作中的减压过程

Uzoq Jo'raqulov
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引用次数: 0

摘要

这项研究旨在推进一个科学假设,即创造过程不是两个阶段,而是三个阶段的现象,正如理论家所指出的那样。这是一个新的、复杂的、尚未被探索的问题。因此,不可能在一篇小文章中定义它的所有艺术和美学特征、功能和理论规范。同样值得注意的是,提出的普适性理论并不仅仅是文学,而是所有类型和形式的创造力。这一阶段的创作过程不是空间、时间或人的选择,而是所有文学史时期所特有的。同时,研究重点是这一阶段创作过程的实践过程,部分是对世界文学来源的反思,包括俄罗斯和乌兹别克斯坦文学。总之,它关注的是艺术过程和新的第三阶段。这一阶段的理论标准被称为解压过程,并以世界和乌兹别克斯坦作家的作品为例进行分析。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Decompression Process in Literary Creation
The research study aims to advance the scientific hypothesis that the creative process is not a two-stage but a three-stage phenomenon, as is noted by theorists. The issue is new, complex and not yet explored. For this reason, it is not possible to define all its artistic and aesthetic features, functions and theoretical canons within a small article. It is also worth noting that the universal theories put forward are not just literature, but all types and forms of creativity. This stage of the creative process is not the choice of space, time or person, and is unique to all periods of literary history. At the same time, the study focuses on the practical process of this stage of the creative process, in part on the reflection on the sources of world literature, including Russian and Uzbek literature. In a word, it focuses on the artistic process and the new third phase. The theoretical criteria for this stage, known as the decompression process, are analyzed with examples from works by world and Uzbek writers.
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