十字路口的抗议诗歌姿态

Anna Nacher
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引用次数: 0

摘要

在我的文章中,我介绍了“沉默”抗议的类别,这是基于对葡萄牙艺术家Paula Rego的一系列作品的讨论,堕胎彩笔(1998),这引发了重大的社会讨论,并促成了2007年公投的结果,决定在葡萄牙放宽堕胎法。我指出艺术策略的不同之处,这可以追溯到古典的表现曲目,使得作品的主题在艺术中相对较少涉及,例如堕胎或与妇女生殖健康有关的其他问题。“沉默”抗议不仅意味着不引人注目或低调的姿态,而且意味着不屈服于社交媒体强制推行的信息快速传播模式。这反过来意味着它发生在不同的时间框架,并允许更长的持续时间。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
POETYCKI GEST PROTESTU NA ROZDROŻU
In my article, I introduce the category of a “silent” protest based on a discussion of a series of works by Portuguese artist Paula Rego, Abortion Pastels (1998), which sparked significant social discussion and contributed to the outcome of the 2007 referendum that decided to liberalise abortion law in Portugal. I point out the difference in the artistic strategy, which reaches back to the classical repertoire of representation, making the subject matter of the works relatively rarely dealt with in art, such as abortion or other issues related to women’s reproductive health. “Silent” protest means not only an unobtrusive or subdued gesture, but rather one that does not succumb to the formula of radically rapid information circulation enforced by social media. This in turn means that it takes place in different time frames and allows for longer durations.
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