Naoko Morita
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引用次数: 0

摘要

本文通过分析日本侦探小说的先驱江户川兰坡(1894-1965)的短篇小说,探讨了“ero-guro”的概念。“情色与怪诞”一词是理解20世纪20年代日本文化的关键词之一。印刷品中的色情作为一种传统仍然存在,但欧洲和美国文化的影响使事情变得更加多样化和复杂。某些社会事件引发了一种新的情色倾向:经济萧条和失业人数的增加造成了颓废和无聊的情绪;现代生活的匿名性激起了窥视的欲望和对心理学的极大兴趣。江户川在他的作品中引入了一种介于变态和犯罪之间的色情。他描述了想象是如何无法控制的,以及它是如何慢慢侵入这个时代大众阶层的日常生活的。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
L’éro-guro chez Edogawa Rampo
«L ’ égo-guro in Edogawa Rampo » This paper deals with the notion of «ero-guro » by analysing some short stories written by Edogawa Rampo (1894-1965), pioneer of the detective novel in Japan. The terme ero-guro (erotism and grotesque) is one of the key words for understanding the Japanese culture in the 1920’s. Pornography in prints survived still as a tradition, but the influence of European and American culture made the things more varied and complex. Certain social events helped trigger a new tendency of erotism : the economic depression and the increase of the workless created a mood of decadence and ennui ; and the anonymity of modem life provoked the desire of peeping and the great interest in psychology. Edogawa introduced into his work an erotism at the limit between perversity and crime. He described how uncontrollable the imagination could be, and how it coud invade, is slowly, the ordinary life of the popular class at this age.
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