后现代的普罗米修斯

Maria Ramnehill
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引用次数: 0

摘要

这是对珍妮特·温特森的小说《弗兰克斯坦:一个爱情故事》中跨性别主题的跨生态分析,这部小说讲述了超人类主义、人工智能以及人类与身体作为自然和技术的关系。我研究了《弗兰肯斯坦》中的跨性别角色是如何与自然-文化、生物-技术和身心等概念联系起来的。从新的唯物主义理论出发,本文探讨了唯物主义跨生态的可能性,这种跨生态将身份和身体都理解为被建构的。本文论证了跨性别角色瑞·雪莱是一个集男女、生物技术和自然文化于一身的混合型角色。当另一个主要人物维克多·斯坦(Victor Stein)厌恶物质并希望成为纯粹的心灵时,叙述者瑞·雪莱(Ry Shelley)展示了身体的重要性,并成为一个例证,说明人类身份不仅是一种话语结构,而且是一种生物和技术材料结构。在弗兰克斯坦的作品中,跨性别角色是对物质人类的辩护,也是所有人类都是混血儿的一个例子。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Den postmoderne Prometheus
The Postmodern Prometheus: Nature, Technology and Transgender Themes in Jeanette Winterson’s Frankissstein This is a trans ecological analysis of the transgender motif in Jeanette Winterson’s novel Frankissstein: A Love Story, a novel abouttranshumanism, artificial intelligence and the human relationships to the body as natureand as technology. I examine how the transgender character in Frankissstein relates to ideas about nature-culture, biology-technology, and mind-body. Drawing from new materialist theory, the essay examines the possibilites of a materialist trans ecology that understands both identitites and bodies as constructed. The essay demonstrates that the transgender character Ry Shelley is a hybrid character, combining male-female, biologytechnology and nature-culture in a single person. While the other major character, Victor Stein, detests the material and wants to become pure mind, the narrator Ry Shelley shows the importance of the body and becomesan illustration of how human identity is not just a discursive construction, but also a biological and technical-material construction. In Frankissstein the transgender character is a defense of the material human being, and an example of how all humans are hybrids.
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