以跨学科的学习方式培养学生的全球观:从音乐及其他角度出发

Feiqun Shu, Panya Roongruang
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引用次数: 0

摘要

音乐从来不是为其本身而存在。相反,它连接着包括自然、社会和人类在内的宇宙。音乐起源于人们的劳动和生活,始终反映着与时空因素有关的人类状况。我们相信音乐可以作为一个有教育意义的窗口,通过它,学生可以用更广阔的视野和更深刻的思想探索世界。基于这些信念,我们假设一个跨学科的方法,从音乐开始,超越它,以培养学生的世界观,普遍联系的世界。作者提出了一个概念模型,描述了学生在有目的的跨学科学习中可能获得的分层进步。为了进一步合理化这种学习方法的可行性,我们提出了一种接地气的思维方式,即音乐与歌曲歌词中的语言有关,因为它起源于时间和空间,所以具有地理历史足迹。从这些线索中,可以发现一个共同的属性,即贯穿整个学习过程,将几个学科整合为一个整体,而不是单独学习的学校学科。学生们在研究中国南方和北方两种类型的民歌的示范项目中,被引导去发现歌词的方言语调和民歌曲调之间同构的移动方向的共同属性,发现隐藏在当前现象表面下的内在联系,并深入思考使他们能够像思想家一样行动的重要见解。这里以案例项目的形式展示的跨学科学习,旨在提醒我们的同事,音乐的教育价值远远没有得到充分的认识,这些价值应该充分发挥作用,让年轻一代解放思维的束缚,发展创造性思维。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Toward an Interdisciplinary Learning Approach to Foster Students’ Outlook of Universally Connected World: Starting from Music and Beyond
Music never exists for its own sake. On the contrary, it connects to the universe including Nature, society, and human beings. Music originated from people’s labor and life and has always reflected human conditions related to temporal and spatial elements. It is our belief that music can function as an educatively meaningful window through which the students explore the world with wider views and deeper thoughts. Based on these beliefs, we postulate an interdisciplinary approach starting from music and beyond it to foster students’ outlook of universally connected world. A conceptual model is conceived by the authors which describes the students’ hierarchical progress possibly gained from purposefully designed learning in an interdisciplinary manner. To further rationalize the feasibility for such a learning approach, we propose a down-to-earth way of thinking that music relates to language in lyrics of songs, bears geo-historical footprints because it originates temporally and spatially. From these clues, a common attribute can be found to thread the whole learning process involving several subjects integrated as a whole, rather than the school subjects learned separately. Given an exemplary project for the students to explore two types of folk songs in the North and the South of China, they are led to find a common attribute focusing on isomorphic direction of move between dialect tones of lyrics and tunes of folk songs, discover the inner connections hidden beneath the surface of present phenomena, and dwell on the significant insights which enable them to act like a thinker. The interdisciplinary learning illustrated as a case project here purports to prompt our colleagues that the educative values of music are far from fully recognized and these values should function to a full degree for the young generation to emancipate the constraints of thinking and develop creative minds.
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