Tajna vrlina u Jermin Pastiru 和 њena uloga u izgravaivaњivanu Tsrkve i saves man

Његош Стикић
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摘要

作者的意图是提供一个更系统的,而不是详尽的,对救赎经济中美德的神秘意义,地位和作用的洞察,基于新约先知和使徒黑马-牧羊人早期基督教著作中记录的启示。作者将美德置于救赎(人)和教会建设同时相互依存的现实主义中,这是一个独特的(多维的)过程。像很少父亲的著作一样,《牧者》给了我们一个明确的结论,即美德是那些“保持”和建立教会的美德,“穿上”信徒的“衣服”,“力量”和上帝之子的名字。通过“穿上”美德,基督徒实现了他们与基督的“相似”,从而变得彼此相似和兼容,从而获得了作为一个新的属,一个独特的身份。这就是为什么被建造为救恩之塔的教堂,是由众多悔改和美德塑造和高贵的选民(石头)组成的,因此,在一个“单一的”建筑中,单色的白色,就像一块雕刻的石头一样。因此,本文旨在重新评估美德与教会(教会学)的本体论联系。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Тајна врлине у Јермином Пастиру и њена улога у изграђивању Цркве и спасењу човека
The intention of the author is to provide a more systematic, not exhaustive, insight into the mystical meaning, place, and role of virtue in the economy of salvation, based on the revelation recorded in the early Christian writing of the New Testament prophet and apostle Hermas – The Shepherd. The author locates the place of virtue in the realism of simultaneous and interdependent building of salvation (of man) and building of the Church as a unique (multidimensional) process. Like very few paternal writings, the Shepherd gives us an explicit conclusion that the virtues are the ones that “hold” and build the Church, “dressing” the faithful in the “clothes,” “powers” and Name of the Son of God. By “dressing” in virtues, Christians achieve that “in the likeness,” they are likened to Christ, thus becoming similar and compatible to each other, thus gaining, as a new genus, a one unique identity. That is why the Church, which is being built as the Tower of Salvation, is composed of a multitude, by repentance and virtue shaped and ennobled elects (stones), manifesting itself, thus, in a „monolithic“ building, monochromatic white, as from one carved stone. For this reason, the paper aims to re– evaluate the ontological connection of virtue with the Church (ecclesiology).
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