{"title":"在最后审判的祈祷板上对基督之血的注释","authors":"Tamara Quírico","doi":"10.34024/imagem.v1i1.14177","DOIUrl":null,"url":null,"abstract":"This paper intends to briefly present theological aspects regarding the Last Judgment, the role of Christian images in Late Medieval art and, connecting both topics, iconographic changes and developments in Italian visual representations of the Last Judgment, particularly in panel paintings, by the end of the Middle Ages. We aim to relate these changes mostly to their expected religious functions in the stimulus of private devotion.","PeriodicalId":228279,"journal":{"name":"Imagem: Revista de Hist´ória da Arte","volume":"107 1","pages":"0"},"PeriodicalIF":0.0000,"publicationDate":"2022-08-16","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"NOTES ON THE BLOOD OF CHRIST IN DEVOTIONAL PANELS OF THE LAST JUDGMENT\",\"authors\":\"Tamara Quírico\",\"doi\":\"10.34024/imagem.v1i1.14177\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"This paper intends to briefly present theological aspects regarding the Last Judgment, the role of Christian images in Late Medieval art and, connecting both topics, iconographic changes and developments in Italian visual representations of the Last Judgment, particularly in panel paintings, by the end of the Middle Ages. We aim to relate these changes mostly to their expected religious functions in the stimulus of private devotion.\",\"PeriodicalId\":228279,\"journal\":{\"name\":\"Imagem: Revista de Hist´ória da Arte\",\"volume\":\"107 1\",\"pages\":\"0\"},\"PeriodicalIF\":0.0000,\"publicationDate\":\"2022-08-16\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Imagem: Revista de Hist´ória da Arte\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.34024/imagem.v1i1.14177\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"\",\"JCRName\":\"\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Imagem: Revista de Hist´ória da Arte","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.34024/imagem.v1i1.14177","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
NOTES ON THE BLOOD OF CHRIST IN DEVOTIONAL PANELS OF THE LAST JUDGMENT
This paper intends to briefly present theological aspects regarding the Last Judgment, the role of Christian images in Late Medieval art and, connecting both topics, iconographic changes and developments in Italian visual representations of the Last Judgment, particularly in panel paintings, by the end of the Middle Ages. We aim to relate these changes mostly to their expected religious functions in the stimulus of private devotion.