{"title":"瓦格斯政府企业家的工业项目。摄影作为劳动教育的历史来源","authors":"Maria Ciavatta","doi":"10.20396/RHO.V21I00.8660288","DOIUrl":null,"url":null,"abstract":"In this text, we highlight some aspects of Brazil's recent history, since October 2018, in particular, the growth of authoritarian manifestations across the country, in relations between citizens, in aggressive discourse against opponents, expanded in social networks, inefficiency, indifference and arbitrariness of the head of the nation in the face of the Covid pandemic19, in addition to the call for rhetoric along the fascist lines. Theoretically and methodologically, we rely on the conception of photography as a historical mediation and on the reflections of Fulvia Zega, an Italian historian, who investigates photography as a historical source of fascism in Italy; varguism in Brazil; and Peronism in Argentina. In the study of how to write the history of Work-Education, we have photography as a source of historical research in the book Beyond the factory - The Industrialist project in Sao Paulo 1928-1948 by Paulo Miceli, edited by FIESP in 1992.","PeriodicalId":230861,"journal":{"name":"Revista HISTEDBR on line","volume":"429 16","pages":"0"},"PeriodicalIF":0.0000,"publicationDate":"2021-05-03","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"1","resultStr":"{\"title\":\"O projeto industrialista dos empresários no governo Vargas. A fotografia como fonte histórica de trabalho-educação\",\"authors\":\"Maria Ciavatta\",\"doi\":\"10.20396/RHO.V21I00.8660288\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"In this text, we highlight some aspects of Brazil's recent history, since October 2018, in particular, the growth of authoritarian manifestations across the country, in relations between citizens, in aggressive discourse against opponents, expanded in social networks, inefficiency, indifference and arbitrariness of the head of the nation in the face of the Covid pandemic19, in addition to the call for rhetoric along the fascist lines. Theoretically and methodologically, we rely on the conception of photography as a historical mediation and on the reflections of Fulvia Zega, an Italian historian, who investigates photography as a historical source of fascism in Italy; varguism in Brazil; and Peronism in Argentina. In the study of how to write the history of Work-Education, we have photography as a source of historical research in the book Beyond the factory - The Industrialist project in Sao Paulo 1928-1948 by Paulo Miceli, edited by FIESP in 1992.\",\"PeriodicalId\":230861,\"journal\":{\"name\":\"Revista HISTEDBR on line\",\"volume\":\"429 16\",\"pages\":\"0\"},\"PeriodicalIF\":0.0000,\"publicationDate\":\"2021-05-03\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"1\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Revista HISTEDBR on line\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.20396/RHO.V21I00.8660288\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"\",\"JCRName\":\"\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Revista HISTEDBR on line","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.20396/RHO.V21I00.8660288","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
O projeto industrialista dos empresários no governo Vargas. A fotografia como fonte histórica de trabalho-educação
In this text, we highlight some aspects of Brazil's recent history, since October 2018, in particular, the growth of authoritarian manifestations across the country, in relations between citizens, in aggressive discourse against opponents, expanded in social networks, inefficiency, indifference and arbitrariness of the head of the nation in the face of the Covid pandemic19, in addition to the call for rhetoric along the fascist lines. Theoretically and methodologically, we rely on the conception of photography as a historical mediation and on the reflections of Fulvia Zega, an Italian historian, who investigates photography as a historical source of fascism in Italy; varguism in Brazil; and Peronism in Argentina. In the study of how to write the history of Work-Education, we have photography as a source of historical research in the book Beyond the factory - The Industrialist project in Sao Paulo 1928-1948 by Paulo Miceli, edited by FIESP in 1992.