瓦格斯政府企业家的工业项目。摄影作为劳动教育的历史来源

Maria Ciavatta
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引用次数: 1

摘要

在这篇文章中,我们强调了巴西近代史的一些方面,特别是自2018年10月以来,全国各地专制表现的增长,公民之间的关系,对反对者的侵略性言论,社交网络的扩大,面对新冠疫情,国家元首的效率低下,冷漠和武断,以及法西斯主义言论的呼吁。在理论和方法上,我们依赖于摄影作为历史中介的概念,以及意大利历史学家富尔维亚·泽加(Fulvia Zega)的反思,他将摄影作为意大利法西斯主义的历史来源进行了调查;巴西的varguism;阿根廷的庇隆主义。在如何撰写工作教育历史的研究中,我们在保罗·米塞利(Paulo Miceli)于1992年编辑的《超越工厂——圣保罗1928-1948年的工业家项目》一书中将摄影作为历史研究的来源。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
O projeto industrialista dos empresários no governo Vargas. A fotografia como fonte histórica de trabalho-educação
In this text, we highlight some aspects of Brazil's recent history, since October 2018, in particular, the growth of authoritarian manifestations across the country, in relations between citizens, in aggressive discourse against opponents, expanded in social networks, inefficiency, indifference and arbitrariness of the head of the nation in the face of the Covid pandemic19, in addition to the call for rhetoric along the fascist lines. Theoretically and methodologically, we rely on the conception of photography as a historical mediation and on the reflections of Fulvia Zega, an Italian historian, who investigates photography as a historical source of fascism in Italy; varguism in Brazil; and Peronism in Argentina. In the study of how to write the history of Work-Education, we have photography as a source of historical research in the book Beyond the factory - The Industrialist project in Sao Paulo 1928-1948 by Paulo Miceli, edited by FIESP in 1992.
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