不纯洁社会中“垃圾”的命运

D. S.
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引用次数: 0

摘要

我们甚至想要成为天使:我们的城市想要以各种可能的方式去除气味,不管是好的还是坏的……肮脏就是政治:政治就是耻辱,但耻辱的程度因文化而异,因历史时刻而异。然而,客观条件是需要处理废物,这就是为什么我认为这是一个我们需要接受和利用的现实,而不是反对和视为耻辱,因此需要“隐藏”。根据戈达尔的说法,今天的历史包含在电影的历史中,其余的存在于我们拥有的图像中。我们的眼睛被迫透过那些已经拍摄、拍摄、记录的镜头去看。实际上,我没有选择:形式和方向已经嵌入了这个领域,我的任务只是通过一点一点地构建内部结构来揭示它们:节奏,旋律和和声,关键的地方,都是我研究的对象。我发现自己处于创始人的处境,当他们不得不驯化一个无人居住的地方或一个以前有人居住的地方。对于那些刚刚到达的人来说,一个领土实际上是cao,一个必须承认其力量的土地,并通过寻找或避免它,加强或削弱它来与它合作。城市被不属于我们的建筑分散,被可疑的、模糊的、微不足道的、冷漠的建筑支撑着。在这种情况下,考虑不同的焚化炉,围起来的地方,等待处理的废物处理,后来到达其他环境,其他垃圾场,并考虑所有这些空间,感兴趣的主题,本研究的对象。环境不是一个数字。其中有客观的物理条件和卫生、气候和污染的比例。当我们看到废物的岩浆侵入地球时,我们有什么感觉,有时以一种尊重的方式,控制,有时完全自由,没有尊重?景观不断改变,以适应废物的处理和收集,但我们是否意识到这是一个现实,将永远伴随着我们的生活,我们愿意接受它,并将其视为一个计划的机会,而不是一个需要解决的问题?尤其值得一提的是,这篇文章是一项关于废物主题的更全面研究的一部分,它现在通过艺术家的眼睛来描述,他们在废物中寻找作品的材料和感觉。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
The Destiny of “Refuse” in a Impure Society
We want to be even too angelis: our city wants to get rid of odors, bad or good ones in every way possible…dirty is politics: politics is shame, but the degree of shame varies from culture to culture, from one historical moment to another. An objective condition however, is the existence of the need to dispose waste and this is why I believe it is a reality we need to accept and take advantage of, not to battle against and see as a shame and, therefore, need to “hide”. According to Godard, history today is contained in the history of cinema and the rest exists in the images we have. Our eyes are compelled to see through lenses of those that have already taken the picture, filmed, documented. In effect, I have no choice: form and direction are already embedded in the territory, and my task is only to reveal them, by building little by little the inner structure: the rhythm, the melody and harmony, the out of key places, subjected to my study. I find myself in the conditions of the founders when they had to domesticate an uninhabited place or a place inhabited before. A territory, for those who have just arrived is actually caos, a land that has to be acknowledged for its power, and to work with it by looking for it or avoiding it, strenghtening it or weakening it. Cities are scattered by buidings that do not belong to us, shored up by questionable, ambiguous, insignificant, indifferent architectures.Consider in this case the different incinerators, the fenced in places for waste disposal waiting to be treated to later reach other contexts, other dumps and consider all those spaces that interest the theme, object of this study. The environment is just not a figure. In it there are objective physical conditions and proportions of hygeine, climate, and of pollution. What do we feel in observing the magma of waste invading the earth sometimes in a respectful way, controlled, and sometimes completely free imposing without respect? The landscape continuously modifies to accomodate disposal and collection of waste but how aware are we that it’s a reality that will always accompany our life and how much are we willing to accept it and see it as an opportunity to plan and not as a problem to battle? In particular, this article is part of a more integrated study on the subject of waste, which has now descripted through the eyes of artists who have looked for the material, the feeling… of their works in the waste.
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