透过艺术研究的棱镜看云剧:从云中寻找媒介考古问题

Liina Keevallik, Indrek Ibrus
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引用次数: 0

摘要

云歌剧或《蒂朵的问题》(Vaba Lava,塔林,2019年2月至3月)是一场戏剧表演,通过艺术手段调查数据化世界中的人类状况。该剧由Vaba Lava剧院和塔林大学媒体创新和数字文化卓越中心(MEDIT)合作创作。就其表现形式而言,该剧将人工数据“云”与大气云的知识结合起来,并表明前者与后者一样不可预测和不可控制。在本文中,该演出的作者兼舞台指导Liina Keevallik与媒体研究者Indrek Ibrus一起讨论了媒体考古学方法在艺术实践和“云歌剧”创作中的应用。我们还讨论了我们可以从戏剧的风景元素中收集到什么媒体考古“发现”。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Cloud Opera through the prism of artistic research: looking for media archaeological issues from the clouds
Abstract Cloud Opera or The Dido Problem (Vaba Lava, Tallinn, Feb-Mar 2019) is a theatrical performance investigating, through artistic means, the human condition in the datafied world. The play was created in collaboration between Vaba Lava theatre and Tallinn University’s Centre of Excellence in Media Innovation and Digital Culture (MEDIT). In terms of its representations, the play combined references to man-made data ‘clouds’ with knowledge on atmospheric clouds and suggested that the former are just as unpredictable and uncontrollable as the latter. In this article, Liina Keevallik, the author and the scenographer of the performance together with Indrek Ibrus, a media researcher, discuss the uses of the media archaeological approach both in artistic practice and in creating “Cloud Opera”. We also discuss what media archaeological “findings” we could glean from the scenic elements of the play.
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