观看的感觉:萨尔萨舞中的现实生活

R. Lloyd
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引用次数: 7

摘要

萨尔萨舞是一种以感觉联系为前提的舞伴舞蹈,非常适合探索亨利的激进现象学的内在性和海德格尔的生活真实性。萨尔萨舞诞生于社会庆典的语境中,带有一种特殊的动作自由。最重要的不是舞蹈动作是如何从外部参考框架中创造出来的,而是从赋予他人生命的意外行为中产生的互动反应体验。在对两届世界冠军萨尔萨舞者、评委、编舞和教练安雅·卡瑟夫曼的深入采访中,与伴侣建立联系,散发出充满生命的存在。这次采访试图唤起活力,动觉和情感的记录,生动活泼的萨尔萨舞。作为对现实生活的现象学探究,访谈与其说是一种共同的观点或观点,不如说是一种内在的感觉,一种生活参与的实践。这种以情感为导向的研究方法给现象学领域带来了希望和挑战。它邀请我们更深入地探索感觉和视觉行为。它还帮助我们理解,通过更充分地关注观看行为,我们如何能够增强我们感受到生命高潮的强度。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
The Feeling of Seeing: Factical Life in Salsa Dance
Salsa dancing, a partnered dance premised on the felt sense of connection, is well suited to an exploration of Henry’s radical phenomenology of immanence and Heidegger’s facticity of life. Birthed in social celebratory contexts, salsa carries a particular motile freedom. What matters most is not how the dance movements are created from an outer frame of reference, but the experience of interactive responsiveness that emerges from unanticipated acts of giving life to another. Connecting to one’s partner and exuding a presence filled with life is revealed in an indepth interview with two-time world champion salsa dancer, judge, choreographer and coach, Anya Katsevman. This interview attempts to invoke the kinetic, kinesthetic and affective registers of the lividness and livingness of salsa dancing. As a phenomenological inquiry into factical life, the inter-view is presented not so much as a matter of shared perspectives or viewpoints, but more in the way of an inter-feeling, a practice of life engagement. This affectively-oriented approach provides both promise and challenge to the field of phenomenology. It invites us to delve more deeply into feeling acts of seeing. It also helps us understand how, through attending more fully to acts of seeing, we can increase the intensity with which we feel the upsurge of life.
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