{"title":"地方的形状:下佩科斯峡谷地作为奇科莫兹托克?","authors":"C. Tate","doi":"10.52713/pgwg7974","DOIUrl":null,"url":null,"abstract":"In the classes he taught at the University of Texas at Austin, Terence Grieder insisted that while answers or “knowledge” evolve as new data are generated, a well-formulated question can lead researchers to consider a wider range of relevant evidence. In this paper, a series of questions structures an inquiry as to whether the formal similarity between the “crenellated arch” motif found in Archaic Period (c. 1700 bce - 400 ce) rock art pictographs along the Pecos and Río Grande Rivers of southwest Texas, and the 16th century Nahua (Aztec) depictions of Chicomoztoc—the “Place of Seven Caves”, a mythical place of origin—from throughout later Classic Period central Mexico, are more than mere coincidence.","PeriodicalId":151852,"journal":{"name":"Making “Meaning”: Precolumbian Archaeology, Art History, and the Legacy of Terence Grieder","volume":"23 1","pages":"0"},"PeriodicalIF":0.0000,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"The Shape of Place: The Lower Pecos Canyonlands as a Chicomoztoc?\",\"authors\":\"C. Tate\",\"doi\":\"10.52713/pgwg7974\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"In the classes he taught at the University of Texas at Austin, Terence Grieder insisted that while answers or “knowledge” evolve as new data are generated, a well-formulated question can lead researchers to consider a wider range of relevant evidence. In this paper, a series of questions structures an inquiry as to whether the formal similarity between the “crenellated arch” motif found in Archaic Period (c. 1700 bce - 400 ce) rock art pictographs along the Pecos and Río Grande Rivers of southwest Texas, and the 16th century Nahua (Aztec) depictions of Chicomoztoc—the “Place of Seven Caves”, a mythical place of origin—from throughout later Classic Period central Mexico, are more than mere coincidence.\",\"PeriodicalId\":151852,\"journal\":{\"name\":\"Making “Meaning”: Precolumbian Archaeology, Art History, and the Legacy of Terence Grieder\",\"volume\":\"23 1\",\"pages\":\"0\"},\"PeriodicalIF\":0.0000,\"publicationDate\":\"1900-01-01\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Making “Meaning”: Precolumbian Archaeology, Art History, and the Legacy of Terence Grieder\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.52713/pgwg7974\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"\",\"JCRName\":\"\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Making “Meaning”: Precolumbian Archaeology, Art History, and the Legacy of Terence Grieder","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.52713/pgwg7974","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
引用次数: 0
摘要
在德克萨斯大学奥斯汀分校(University of Texas at Austin)教授的课程中,特伦斯·格里德(Terence Grieder)坚持认为,虽然答案或“知识”会随着新数据的产生而进化,但一个构思良好的问题可以引导研究人员考虑更广泛的相关证据。在这篇论文中,一系列问题构成了一项调查,即在德克萨斯州西南部佩科斯河和Río格兰德河沿岸发现的古代时期(公元前1700年至公元400年)岩石艺术象形文字与16世纪纳瓦人(阿兹特克人)对奇科莫兹托(chicomoztoc)的描述(“七个洞穴的地方”,一个神话般的起源地)之间的形式相似性是否不仅仅是巧合。
The Shape of Place: The Lower Pecos Canyonlands as a Chicomoztoc?
In the classes he taught at the University of Texas at Austin, Terence Grieder insisted that while answers or “knowledge” evolve as new data are generated, a well-formulated question can lead researchers to consider a wider range of relevant evidence. In this paper, a series of questions structures an inquiry as to whether the formal similarity between the “crenellated arch” motif found in Archaic Period (c. 1700 bce - 400 ce) rock art pictographs along the Pecos and Río Grande Rivers of southwest Texas, and the 16th century Nahua (Aztec) depictions of Chicomoztoc—the “Place of Seven Caves”, a mythical place of origin—from throughout later Classic Period central Mexico, are more than mere coincidence.