{"title":"《堂吉诃德》中交错的全景和效果","authors":"José Manuel Martín Morán","doi":"10.30687/978-88-6969-579-7/010","DOIUrl":null,"url":null,"abstract":"In addition to offering a great variety of narrative transition formulas, in Don Quixote interlacing has a triple function: a balancing instrument in the making of the story; a strategy for the construction of diegesis; and an opportunity to expand the space and functions of the enunciative system. By means of this triple function of interlacing, Cervantes distances himself from his triple intertextual model (the two Orlandos and Amadís), to lay the foundations for a new way to conceive narrative.","PeriodicalId":216765,"journal":{"name":"Admiración del mundo\n Actas selectas del XIV Coloquio Internacional de la Asociación de Cervantistas","volume":"65 11 1","pages":"0"},"PeriodicalIF":0.0000,"publicationDate":"2021-12-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Panorama y efectos del entrelazamiento en el Quijote\",\"authors\":\"José Manuel Martín Morán\",\"doi\":\"10.30687/978-88-6969-579-7/010\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"In addition to offering a great variety of narrative transition formulas, in Don Quixote interlacing has a triple function: a balancing instrument in the making of the story; a strategy for the construction of diegesis; and an opportunity to expand the space and functions of the enunciative system. By means of this triple function of interlacing, Cervantes distances himself from his triple intertextual model (the two Orlandos and Amadís), to lay the foundations for a new way to conceive narrative.\",\"PeriodicalId\":216765,\"journal\":{\"name\":\"Admiración del mundo\\n Actas selectas del XIV Coloquio Internacional de la Asociación de Cervantistas\",\"volume\":\"65 11 1\",\"pages\":\"0\"},\"PeriodicalIF\":0.0000,\"publicationDate\":\"2021-12-01\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Admiración del mundo\\n Actas selectas del XIV Coloquio Internacional de la Asociación de Cervantistas\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.30687/978-88-6969-579-7/010\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"\",\"JCRName\":\"\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Admiración del mundo\n Actas selectas del XIV Coloquio Internacional de la Asociación de Cervantistas","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.30687/978-88-6969-579-7/010","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
Panorama y efectos del entrelazamiento en el Quijote
In addition to offering a great variety of narrative transition formulas, in Don Quixote interlacing has a triple function: a balancing instrument in the making of the story; a strategy for the construction of diegesis; and an opportunity to expand the space and functions of the enunciative system. By means of this triple function of interlacing, Cervantes distances himself from his triple intertextual model (the two Orlandos and Amadís), to lay the foundations for a new way to conceive narrative.