{"title":"文化意识Herıtage在Dıyarbakır Provınce的发展:木孜—胡马云荣誉Offıcer Natık基金会及其Actıvıtıes","authors":"Hakan Aşan","doi":"10.33431/belgi.1106797","DOIUrl":null,"url":null,"abstract":"The Ottoman Empire hosted many culturally different civilizations and maintained dominance over rich lands in terms of both quality and quantity. In the field of cultural heritage, although a path was followed in accordance with the methods of law and fiqh at the beginning, progress was made in the field of regulations over time, and a contribution was made to the development of the awareness of museology and antiquities. The foundation of modern museology in the Ottoman Empire was laid during the reign of Sultan Abdülmecit and with the efforts of Fethi Ahmet Pasha. However, In the period of II. Abdülhamit and Osman Hamdi Bey’s directorship of the museum, deep-rooted legal and institutional arrangements were made. There upon, the cultural heritage consciousness that emerged in the Ottoman center was reflected in the countryside in a short time. This study was written in order to determine the development of antiquities consciousness in the Ottoman provinces, especially in the context of the attitude Honorary Officer of the Diyarbakir Müze-i Hümayun (imperial museum) of Natik Efendy, as well as the local officials. Also, in the XIX. the end of the century and the XX. covers the first years of the century. In the said process and in line with the stated purpose, a general evaluation was made on the development of the cultural heritage consciousness in Diyarbakir Province and the activities of Diyarbakir Müze-i Hümayun Honorary Officer Natik Efendy were also examined in depth. According to this; How the cultural heritage consciousness emerged in Diyarbakir, how the antiquities policies implemented in the center reflected on Diyarbakir, what processes were passed and what kind of path was followed, the position of Natik Efendy in the field of antiquities and his activities in Diyarbakir were discussed. Subsequently, the efforts to determine what kinds of artifacts were transferred from Diyarbakir to the Müze-i Hümayun and how they were preserved were evaluated. In order to find answers to these questions, this process has been followed through the documents that the Ottoman Empire kept during that period and which are in the Ottoman archives today, as well as the press life of the period and the annuals. In addition, the works written in the mentioned period and in the following periods were also consulted.","PeriodicalId":164471,"journal":{"name":"Belgi Dergisi","volume":"10 1","pages":"0"},"PeriodicalIF":0.0000,"publicationDate":"2022-06-13","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"1","resultStr":"{\"title\":\"Development of Awareness on Cultural Herıtage in Dıyarbakır Provınce: Muze-i Humayun Honorary Offıcer Natık Efendy and Its Actıvıtıes\",\"authors\":\"Hakan Aşan\",\"doi\":\"10.33431/belgi.1106797\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"The Ottoman Empire hosted many culturally different civilizations and maintained dominance over rich lands in terms of both quality and quantity. In the field of cultural heritage, although a path was followed in accordance with the methods of law and fiqh at the beginning, progress was made in the field of regulations over time, and a contribution was made to the development of the awareness of museology and antiquities. The foundation of modern museology in the Ottoman Empire was laid during the reign of Sultan Abdülmecit and with the efforts of Fethi Ahmet Pasha. However, In the period of II. Abdülhamit and Osman Hamdi Bey’s directorship of the museum, deep-rooted legal and institutional arrangements were made. There upon, the cultural heritage consciousness that emerged in the Ottoman center was reflected in the countryside in a short time. This study was written in order to determine the development of antiquities consciousness in the Ottoman provinces, especially in the context of the attitude Honorary Officer of the Diyarbakir Müze-i Hümayun (imperial museum) of Natik Efendy, as well as the local officials. Also, in the XIX. the end of the century and the XX. covers the first years of the century. In the said process and in line with the stated purpose, a general evaluation was made on the development of the cultural heritage consciousness in Diyarbakir Province and the activities of Diyarbakir Müze-i Hümayun Honorary Officer Natik Efendy were also examined in depth. According to this; How the cultural heritage consciousness emerged in Diyarbakir, how the antiquities policies implemented in the center reflected on Diyarbakir, what processes were passed and what kind of path was followed, the position of Natik Efendy in the field of antiquities and his activities in Diyarbakir were discussed. Subsequently, the efforts to determine what kinds of artifacts were transferred from Diyarbakir to the Müze-i Hümayun and how they were preserved were evaluated. In order to find answers to these questions, this process has been followed through the documents that the Ottoman Empire kept during that period and which are in the Ottoman archives today, as well as the press life of the period and the annuals. 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引用次数: 1
摘要
奥斯曼帝国拥有许多文化上不同的文明,在质量和数量上都保持着对富饶土地的统治。在文化遗产领域,虽然一开始是按照法律和伊斯兰教的方法走的道路,但随着时间的推移,在法规领域取得了进展,并为发展对博物馆学和古物的认识作出了贡献。奥斯曼帝国现代博物馆学的基础是在苏丹阿卜杜勒·勒梅基特统治时期和费特希·艾哈迈德·帕夏的努力下奠定的。然而,在II。abd哈姆米特和奥斯曼·哈姆迪·贝担任博物馆馆长时,制定了根深蒂固的法律和制度安排。由此,奥斯曼帝国中心产生的文化遗产意识在短时间内反映到农村。撰写本研究是为了确定奥斯曼各省文物意识的发展,特别是在Natik Efendy的Diyarbakir m ze-i hmayun(帝国博物馆)的荣誉官员以及当地官员的态度背景下。在十九世纪。世纪末和二十世纪。涵盖了本世纪的头几年。在上述过程中,根据既定的目的,对迪亚巴克尔省文化遗产意识的发展进行了总体评价,并对迪亚巴克尔市泽伊hmayun荣誉官员Natik Efendy的活动进行了深入审查。根据这个;讨论了文化遗产意识是如何在迪亚巴克尔产生的,中央实施的文物政策如何反映在迪亚巴克尔,经过了什么样的过程,走了什么样的道路,Natik Efendy在文物领域的地位以及他在迪亚巴克尔的活动。随后,对确定哪些文物从迪亚巴克尔转移到m泽伊hmayun以及它们是如何保存的工作进行了评估。为了找到这些问题的答案,这个过程是通过奥斯曼帝国在那个时期保存的文件以及今天在奥斯曼档案馆中的文件,以及那个时期的新闻生活和年鉴来进行的。此外,还查阅了上述时期和以后时期的作品。
Development of Awareness on Cultural Herıtage in Dıyarbakır Provınce: Muze-i Humayun Honorary Offıcer Natık Efendy and Its Actıvıtıes
The Ottoman Empire hosted many culturally different civilizations and maintained dominance over rich lands in terms of both quality and quantity. In the field of cultural heritage, although a path was followed in accordance with the methods of law and fiqh at the beginning, progress was made in the field of regulations over time, and a contribution was made to the development of the awareness of museology and antiquities. The foundation of modern museology in the Ottoman Empire was laid during the reign of Sultan Abdülmecit and with the efforts of Fethi Ahmet Pasha. However, In the period of II. Abdülhamit and Osman Hamdi Bey’s directorship of the museum, deep-rooted legal and institutional arrangements were made. There upon, the cultural heritage consciousness that emerged in the Ottoman center was reflected in the countryside in a short time. This study was written in order to determine the development of antiquities consciousness in the Ottoman provinces, especially in the context of the attitude Honorary Officer of the Diyarbakir Müze-i Hümayun (imperial museum) of Natik Efendy, as well as the local officials. Also, in the XIX. the end of the century and the XX. covers the first years of the century. In the said process and in line with the stated purpose, a general evaluation was made on the development of the cultural heritage consciousness in Diyarbakir Province and the activities of Diyarbakir Müze-i Hümayun Honorary Officer Natik Efendy were also examined in depth. According to this; How the cultural heritage consciousness emerged in Diyarbakir, how the antiquities policies implemented in the center reflected on Diyarbakir, what processes were passed and what kind of path was followed, the position of Natik Efendy in the field of antiquities and his activities in Diyarbakir were discussed. Subsequently, the efforts to determine what kinds of artifacts were transferred from Diyarbakir to the Müze-i Hümayun and how they were preserved were evaluated. In order to find answers to these questions, this process has been followed through the documents that the Ottoman Empire kept during that period and which are in the Ottoman archives today, as well as the press life of the period and the annuals. In addition, the works written in the mentioned period and in the following periods were also consulted.