A.N.奥斯特洛夫斯基和F.M.陀思妥耶夫斯基:关系的历史

I. A. Edoshina
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引用次数: 0

摘要

本文重构了同时代的俄罗斯文化两位经典人物——奥斯特洛夫斯基和陀思妥耶夫斯基之间的关系。这些关系是在其发展的动态中考虑的。尽管与奥斯特洛夫斯基和陀思妥耶夫斯基同时代的人注意到这位剧作家对陀思妥耶夫斯基作品的批判性看法,但重点还是放在他们关系的友好性质、他们的美学观点的接近以及他们创作框架的共性上。文章强调,他们对艺术创作的审美观的接近,将成为奥斯特洛夫斯基与陀思妥耶夫斯基兄弟的《时代》杂志合作的基础。本文分析了这一合作终止的原因,以及奥斯特洛夫斯基和陀思妥耶夫斯基之间进一步关系的性质,以及他们对彼此创造力的评价。因此,值得注意的是,虽然陀思妥耶夫斯基没有进入奥斯特洛夫斯基的核心圈子,但在他的戏剧中,这位剧作家解决了他们两人都担心的问题。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
A.N. Ostrovsky and F.M. Dostoevsky: to the History of the Relationship
The article reconstructs the relations between two contemporaries, two classics of Russian culture – Alexander Ostrovsky and Fyodor Dostoevsky. The relations are considered in the dynamics of their development. Despite the fact that contemporaries of Ostrovsky and Dostoevsky noted the playwright’s critical perception of Dostoevsky’s work, the emphasis is placed on the friendly nature of their relationship, the proximity of their aesthetic views, and the commonality of their creative framework. The article stresses that the proximity of their aesthetic views on artistic creativity will become the basis for Ostrovsky’s cooperation with the Dostoevsky brothers’ journal “Vremya” (Time). The research undertaken here analyzes the reasons for the termination of this cooperation and the nature of further relations between Ostrovsky and Dostoevsky, their mutual assessment of each other’s creativity. As a result, it is noted that although Dostoevsky did not enter Ostrovsky’s inner circle, in his plays the playwright addressed the issues that worried both of them.
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