LITERARY MOTIF OF PAIN: THEORY AND METHODS OF LINGUISTIC ANALYSIS

The article provides a thorough review of the theory of a literary motif and its modern adaptation in termsof cognitive narratology and cognitive stylistics in order to introduce methods of linguistic analysis into the researchof the motif of pain in works of American and British modernists. Pain depiction in a literary text is studiedby encoding unpleasant emotions while using methods of conceptual metaphor and metonymy, as well as corpusanalysis. The research presupposes five stages: a) analysis of the keywords in the text which are eitherpain-indicative or pain-descriptive; b) corpus analysis of lemmas “pain”, “hurt” and others pain-related words;c) reconstruction of conceptual metaphors and metonymies of PAIN; d) reconstruction of narrative patternsof the motif of pain; e) analysis of affected character's profile. The initial research suggests the following:i) the motif of pain has a tendency to be marked by descriptive and indicating verbal units which are widely usedin the medical field; ii) conceptual metaphors and metonymies of PAIN tend to be less prototypical in a literarytext than those in a natural language; iii) the motif of pain appears in a literary narrative through a set of imagesand actions zoomed on the characters' traumatic unpleasant experience; iv) the two main sets of narrativeevents, that are structurally indicative of the motif of pain are believed to exist. The first set revolves aroundany explicit traumatic experience, with the latter becoming a salient point of the plot, while the second setresorts to depicting a more implicit process of a character accumulating discomfort and emotional traumain the studied novels.