{"title":"作者的故事作为性别认同的来源(基于循环“一个半愿望。《亚罗索维塔的宝箱故事》(作者:玛丽娜·帕夫连科)","authors":"Vitalina Kizilova","doi":"10.28925/2412-2475.2019.135","DOIUrl":null,"url":null,"abstract":"The article is devoted to the analysis of feminine and masculine constants, which are represented\nin the cycle “One and a Half Wish. Tales from Yalosoveta’s Treasure Chest” by Maryna Pavlenko and\ndirected at the gender identity formation. Gender identity is supposed to be conformable valuable\nbehavioral instructions, that lead to learning the roles and development of personality traits. Along\nwith mythology and folklore, it is considered as a sum-total of standardized static roles and cultural\nideals according to the way of life. In the fairy tale it is made with an articulated assessment of acts\nand actions of the characters, which depends on feminine and masculine semantics and is conditional\non mental peculiarities of Ukrainian society. Maryna Pavlenko makes an accent on usual women’s and\nmen’s traits, which start to acquire marginalized status because of development of democratic society,\nhowever, she doesn’t strive for hyperborlized positivity, that is a significant feature of the author’s\ntale text. Having a powerful moral-didactic potential, in the reader’s consciousness the writer’s tales\nmake negative behavioral stereotypes urgent too, they are connected with moral character’s traits.\nIn the cycle “One and a Half Wish. Fairy Tales from Yalosoveta’s Treasure Chest” Maryna Pavlenko\nrepresents her own outlook, shows ideal life model of the person, who has archaic views about relations\nand standards according to the gender area.","PeriodicalId":120787,"journal":{"name":"LITERARY PROCESS: methodology, names, trends","volume":"213 1","pages":"0"},"PeriodicalIF":0.0000,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"AUTHOR’S TALE AS SOURCE OF GENDER IDENTITY\\n(BASED ON THE CYCLE “ONE AND A HALF WISH.\\nTALES FROM YALOSOVETA’S TREASURE CHEST” BY MARYNA PAVLENKO)\",\"authors\":\"Vitalina Kizilova\",\"doi\":\"10.28925/2412-2475.2019.135\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"The article is devoted to the analysis of feminine and masculine constants, which are represented\\nin the cycle “One and a Half Wish. Tales from Yalosoveta’s Treasure Chest” by Maryna Pavlenko and\\ndirected at the gender identity formation. Gender identity is supposed to be conformable valuable\\nbehavioral instructions, that lead to learning the roles and development of personality traits. Along\\nwith mythology and folklore, it is considered as a sum-total of standardized static roles and cultural\\nideals according to the way of life. In the fairy tale it is made with an articulated assessment of acts\\nand actions of the characters, which depends on feminine and masculine semantics and is conditional\\non mental peculiarities of Ukrainian society. Maryna Pavlenko makes an accent on usual women’s and\\nmen’s traits, which start to acquire marginalized status because of development of democratic society,\\nhowever, she doesn’t strive for hyperborlized positivity, that is a significant feature of the author’s\\ntale text. Having a powerful moral-didactic potential, in the reader’s consciousness the writer’s tales\\nmake negative behavioral stereotypes urgent too, they are connected with moral character’s traits.\\nIn the cycle “One and a Half Wish. Fairy Tales from Yalosoveta’s Treasure Chest” Maryna Pavlenko\\nrepresents her own outlook, shows ideal life model of the person, who has archaic views about relations\\nand standards according to the gender area.\",\"PeriodicalId\":120787,\"journal\":{\"name\":\"LITERARY PROCESS: methodology, names, trends\",\"volume\":\"213 1\",\"pages\":\"0\"},\"PeriodicalIF\":0.0000,\"publicationDate\":\"1900-01-01\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"LITERARY PROCESS: methodology, names, trends\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.28925/2412-2475.2019.135\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"\",\"JCRName\":\"\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"LITERARY PROCESS: methodology, names, trends","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.28925/2412-2475.2019.135","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
AUTHOR’S TALE AS SOURCE OF GENDER IDENTITY
(BASED ON THE CYCLE “ONE AND A HALF WISH.
TALES FROM YALOSOVETA’S TREASURE CHEST” BY MARYNA PAVLENKO)
The article is devoted to the analysis of feminine and masculine constants, which are represented
in the cycle “One and a Half Wish. Tales from Yalosoveta’s Treasure Chest” by Maryna Pavlenko and
directed at the gender identity formation. Gender identity is supposed to be conformable valuable
behavioral instructions, that lead to learning the roles and development of personality traits. Along
with mythology and folklore, it is considered as a sum-total of standardized static roles and cultural
ideals according to the way of life. In the fairy tale it is made with an articulated assessment of acts
and actions of the characters, which depends on feminine and masculine semantics and is conditional
on mental peculiarities of Ukrainian society. Maryna Pavlenko makes an accent on usual women’s and
men’s traits, which start to acquire marginalized status because of development of democratic society,
however, she doesn’t strive for hyperborlized positivity, that is a significant feature of the author’s
tale text. Having a powerful moral-didactic potential, in the reader’s consciousness the writer’s tales
make negative behavioral stereotypes urgent too, they are connected with moral character’s traits.
In the cycle “One and a Half Wish. Fairy Tales from Yalosoveta’s Treasure Chest” Maryna Pavlenko
represents her own outlook, shows ideal life model of the person, who has archaic views about relations
and standards according to the gender area.