跳死。中国文化中的僵尸

Corpus Mundi Pub Date : 2021-12-27 DOI:10.46539/cmj.v2i4.54
A. A. Sarakaeva, E. Sarakaeva
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引用次数: 0

摘要

本文考察了中国文化中的僵尸形象、对僵尸形象的传统认知和内在特征。广泛的文字资料是这项研究的基础:甲骨文、古代算命日历、历史论文、编年史和编年史评论、地理和医学论文、古代和现代中国的小说,以及来自中国博客圈的条目和评论。作者研究了邪灵(有肉体或无肉体)的概念是如何首次出现在古代中国的宗教世界观中,并将其起源追溯到一个人有多个灵魂的学说。这篇文章还详细描述了中国丧尸形象的形成过程:满身毛发或打扮成政府官员的动画尸体,手臂向前伸,直腿跳跃,膝盖无法弯曲。关于僵尸的功能特征,作者不仅讨论了它们众所周知的特征(如食人),还讨论了它们与水和干旱的深层内在联系。最后,作者探讨了僵尸在现代都市传说中的演变,并证明了传统鬼神学在现代叙事中的连续性。除此之外,文章还将中国的僵尸形象与其他国家的神话传统进行了类比和比较。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
The Hopping Dead. Zombies in the Chinese Culture
The article examines the image of zombies in Chinese culture, the traditional perception of their appearance and internal characteristics. A wide scope of written sources served as the basis of the study: inscriptions on oracle bones, ancient fortune-telling calendars, historical treatises, chronicles and commentaries on chronicles, essays on geography and medicine, fiction of old and modern China, as well as entries and comments from the Chinese blogosphere. The authors examine how the idea of evil spirits (with a body or bodiless ones) first appeared in the religious worldview of the ancient Chinese, and trace its origin to the doctrine of existence of multiple souls in one person. The article also details the formation of the pictorial image of Chinese zombies: animated corpses covered with hair or dressed as government officials, with their arms extended forward, hopping on straight legs unable to bend their knees. As for the functional characteristics of zombies, the authors discuss not only their well-known features (e.g., cannibalism), but also their deep inner connection with water and drought. In conclusion, the authors explore the evolution of zombies in modern urban legends and demonstrate the continuity of traditional demonology that develops into modern narrative. Apart from that, the article contains a number of analogies and comparisons of the Chinese image of zombies with other nations’ mythological tradition.
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