莎士比亚的《哈姆雷特》与契诃夫的《伊万诺夫》与19世纪末俄国知识分子的类型

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摘要

莎士比亚的《哈姆雷特》影响了契诃夫的戏剧,从《伊万诺夫》到《查尔查德》。伊万诺夫是契诃夫笔下的第一个真正意义上的文学人物,也是契诃夫笔下的俄罗斯哈姆雷特。本研究不仅关注《伊万诺夫》中的哈姆雷特元素,还试图强调契诃夫在塑造主人公角色的同时也在关注哈姆雷特这一事实。这出戏的男主角的性格仍然引起批评性的争论。然而,这部作品将伊万诺夫视为一个悲剧人物,19世纪80年代的俄罗斯哈姆雷特,并将这个角色视为一个理想主义的、心理上受到折磨的、瘫痪的知识分子,是最新传统的多余的人。它还考察了批评家们认为契诃夫在多大程度上塑造了一个厌世的人物,与19世纪80年代的俄罗斯特别相关,那是一代俄罗斯知识分子幻想破灭和绝望的时代。通过与莎翁英雄的特别参考和比较,并考虑到历史时刻,本作品将试图分析伊万诺夫的复杂心理,这对其创作者来说是一件困难的事情。关键词:莎士比亚,契诃夫,哈姆雷特,伊万诺夫,多余的人,文学类型,俄国知识分子。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Shakespeare's Hamlet and Chekhov's Ivanov and the Type of the Russian Intellectual of the Late 19th Century Russia
Shakespeare’s Hamlet influenced Chekhov's plays, from Ivanov to The Cherry Orchard. Ivanov was the first genuine literary figure to be created by Chekhov and his version of the character of the Russian Hamlet. This study is not only concerned with the Hamletian elements in Ivanov, but it also tries to stress the fact that Chekhov was casting an eye on Hamlet while creating the character of his protagonist. The personality of the hero of this play still provokes critical arguments. However, the work here looks at Ivanov as a tragic character, the Russian Hamlet of the 1880s, and views the character as one of the idealistic, psychologically tortured and paralyzed intellectual, and in the latest tradition of the superfluous man. It also examines how far Chekhov was held by critics to have created a world – weary character with particular relevance to the Russia of the 1880s, a time of disillusionment and despair for a generation of Russian intellectuals. With particular reference and comparison with the Shakespearian hero, and taking the historical moments into consideration, this work will try to analyze the complex psychology of Ivanov which was a matter of some difficulty for its creator. Keywords: Shakespeare, Chekhov, Hamlet, Ivanov, Superfluous Man, Literary Type, Russian Intellectual.
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