塞内加的《美狄亚》中悲剧性流放与社会死亡之间的界限

L. Omena, D. Carvalho
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引用次数: 0

摘要

本文旨在分析塞内加在《美狄亚》中的悲剧性流放与社会性死亡之间的界限。反思从悲剧叙事中所表现的男女角色的社会渠道和政治协商的讨论开始。众所周知,这些悲剧所表现出的一系列行为和态度与公民的伦理道德建设有关。通常情况下,外国人与暴力行为和暴力,愤怒,野蛮,愤怒的形象联系在一起。在这个剧目中,塞内坎悲剧遵循了一个类似的指导方针,一旦外国人的表现和他们令人反感的特征变成了修辞手段。因此,将外国人的角色理解为罗马宫廷贵族的越轨行为就变得相关了。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
As fronteiras entre o exílio trágico e a morte social em Medeia, de Sêneca
This article aims to analyze the boundaries between the tragic exile and the social death in Medea, by Lucius Annaeus Seneca. The reflection starts from the discussion about the social conduit and political consultations of female and male characters represented in the tragic narrative. It is know that the tragedies present a set of behaviors and attitudes that was linked with the ethical and moral constructions of citizens. Normally, foreigners were associated with truculent actions and images of violence, anger, savagery, fury, between others. In this repertoire, Senecan tragedy followed, as it is proposed, a similar guideline once the representations of foreigners and their objectionable traits turned into rhetorical devices. It becomes, then, relevant to comprehend the role of foreigners as a construct of deviant behaviors from roman aristocracy in the imperial court.
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