激流:在音乐创作中融合化身、物质化和音乐化

Aura Pon, Eric Pattison, Lawrence Fyfe, Laurie Radford, M. Carpendale
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引用次数: 7

摘要

在本文中,我们提出了激流,长笛和水。《激流》是一首体现电声的音乐作品,是为了纪念当地一场灾难性的洪水和团结起来战胜洪水的市民精神而创作的。为了创造这种音乐,我们设计并建造了一个交互式计算机系统,使音乐制作中通常隐藏但却始终存在的声音和物理:音乐家在表演,思考和感受音乐时的肌肉紧张。激流系统将长笛手的肌肉张力音乐化,并使之具体化,就像音乐家演奏时伴随的水声和运动一样。通过半结构化的访谈和调查来了解表演者和观众在一次演出中的体验。化身的使用,作为音乐本身的一部分,渴望强调手段和目的,身体和思想,努力和成就,人们团结起来对抗自然因素。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Torrent: Integrating Embodiment, Physicalization and Musification in Music-Making
In this paper, we present Torrent, for Flutes and Water. Torrent is an embodied electroacoustic music composition written to commemorate a catastrophic local flood and the spirit of the citizens who united to overcome it. To create this music, we designed and built an interactive computer system to make audible and physical that which is usually hidden but ever-present in music-making: the musicians' muscle tension as they perform, think about, and feel their music. The Torrent system musifies and physicalizes the flutists' muscle tension as live water sounds and movement that accompany the musicians as they perform. Semi-structured interviews and surveys were conducted to under-stand the experiences of the performers and audience during one performance. The use of embodiment, as integral to the music itself, aspires to emphasize means and end, body and mind, effort and achievement in the struggle of people unit-ed against the elements.
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