古典土耳其诗歌中的丑和丑

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引用次数: 0

摘要

丑一直是一种概念和形象,通过美来塑造它的意义和定义。古往今来,丑也被定义为美的对立面。丑从世界文学的第一个例子开始就被定义和描述为美的对立面,随着对美的理解的变化,丑也在改变着自己的形象。土耳其古典诗歌对丑的理解反映了这一普遍趋势。然而,古典诗歌在其自身动态的作用下,也呈现出一幅独特的、与众不同的丑的图景。在古典诗歌中,可以说,道德理解与身体感知一样,在这一特征画面的出现中起着决定性作用。本文旨在对文学文本中的丑的理解提出一个总体框架。随后,揭示了土耳其古典诗歌中丑陋理解的物理局限。在古典土耳其诗歌中,也强调用哪些概念来讨论对超越物理界限的丑陋的感知和理解。关键词:古典土耳其诗歌,丑,丑
本文章由计算机程序翻译,如有差异,请以英文原文为准。
UGLY AND UGLINESS IN CLASSICAL TURKISH POETRY
Ugliness has been a concept and image that shapes its meaning and definition through beauty. Throughout the ages, the definition of ugliness has also been made as the opposite of beauty. Ugliness, which has been defined and described as the opposite of beauty since the first examples in world literature, has changed its own image in parallel with the change in the understanding of beauty. The understanding of ugliness in classical Turkish poetry contains the reflections of this general tendency. However, classical poetry also presents a characteristic and different picture of ugliness with the effect of its own dynamics. In classical poetry, it can be said that moral understanding is as determinant as physical perception in the emergence of this characteristic picture. In this article, it is aimed to draw a general framework on the understanding of ugliness in literary texts. Afterwards, the physical limits of the ugly understanding in classical Turkish poetry were revealed. In classical Turkish poetry, it was also emphasized with which concepts the perception and understanding of ugliness beyond physical boundaries are discussed. Keywords: classical Turkish poetry, ugly, ugliness
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