威廉·布莱克的《塞尔之书》。审美还是实用?

G. Dimitrakopoulou
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引用次数: 0

摘要

在《塞尔之书》(????之书)中我认为,布莱克的主要研究方向是审美与实用的并置、对立与综合,从而产生和解释女性身份。我们知道布莱克的思想总是在对立和综合的结构中运动,有用与审美的对立只不过是天真与经验、能量与理性、想象与理性的二元对立的无休止的斗争。考虑到布莱克的二元论是建设性的而不是破坏性的,在《塞尔之书》中,他在审美和实用之间徘徊。他将一种不确定的,不明确的美归于塞尔,这是他自《天堂与地狱的结合》以来思想的进步,他将生殖器官与美联系在一起,“生殖器美”,崇高和美在一起,即头部和生殖器,确认了“人没有与灵魂不同的身体”。他思想的这一进展与通常所说的美(审美价值)的形成有关,这是一种与使用价值相对立的女性伦理发展,即生存的必要性:“没有使用,这个闪亮的女人活着,或者她活着。”死时为虫食。然而,这个问题似乎存在问题。“美丽的女儿”,最后是“哈尔山谷的美丽”。(在希腊神话中,这是?????是把死人运到阴间的摆渡人,单词Har (X??-?? ?)的词源是动词????? ?的委婉说法(意思是享受,享受),因此表示完全相反的意思;这是审美的死亡,可能是实用的死亡。塞尔生活在一个无用、沮丧和被遗忘的世界里。因此,布莱克的《哈尔》和希腊的《哈尔》将死亡作为希尔的终极避难所。问题是:Thel在拒绝了使用价值之后,仅仅是属于Har的美学价值吗?还是她在现实世界中的审美价值,体验世界等于死亡?
本文章由计算机程序翻译,如有差异,请以英文原文为准。
WILLIAM BLAKE�S: THE BOOK OF THEL. THE AESTHETIC VERSUS THE USEFUL?
In The Book of Thel (The Book of ????, that is The Book of the Female), Blake�s main preoccupation, in my opinion focuses on the juxtaposition between the aesthetic and the useful, their antithesis and their synthesis to produce and explain the female identity. Knowing that Blake�s thought always moves in oppositional and synthetical structures, the useful versus the aesthetic is nothing more than the restless and perpetual fight of the dualisms of innocence and experience, energy and Urizen, imagination and reason. Taking into consideration that Blake�s dualisms are constructive rather than destructive, in The Book of Thel, he wonders and oscillates between the aesthetic and the useful. He attributes an indefinite, unclear kind of beauty to Thel, which is a progression of his thought since The Marriage of Heaven and Hell, where he associated the organs of reproduction with beauty, �the genitals Beauty�, the sublime and the beautiful together, that is the head and the genitals, a confirmation that �Man has no Body distinct from his Soul ��. This progression of his thought relates to the formation of what is commonly called beauty (aesthetic value), an ethical feminine development in contradistinction to use value the necessity of survival: �� without a use this shining woman liv�d, / Or did she live. to be at death the food of worms.� Nevertheless, the issue seems problematic. Thel, �the daughter of beauty,� finally is the �� beauty of the vales of Har.� (Har in Greek mythology, that is ????? is the ferryman who carried the dead to the underworld and the etymology of the word Har (X??-??) is an euphemism of the verb ?????, meaning enjoy, take pleasure in), thus signifying quite the opposite; that is the death of the aesthetic possibly in favour of the useful. Thel lives in a world of uselessness, depression, and oblivion. Thus, Blake�s Har and the Greek Har introduce death as Thel�s ultimate refuge. The question is: is Thel after having rejected the (her) use value, a mere aesthetic value belonging to Har? Or her aesthetic value in the real world, the world of experience equals death?
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