巴洛克式圣诞老人天堂María托南津特拉(上)

Julio Glockner
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引用次数: 0

摘要

巴洛克风格的Santa教堂María Tonantzintla位于墨西哥中部高原的乔卢拉山谷,建于16 -19世纪。其内部装饰显示出有趣的象征性融合了基督教元素与中美洲纳化起源的宗教方面。墨西哥殖民艺术的学者们将天主教的Santa María Tonantzintla教堂的肖像解释为圣母玛利亚升天至天国,并由神圣的三位一体加冕。其中一位学者,弗朗西斯科·德·拉·马萨,提出了这样一种观点,除了教堂的装饰让人联想到古代雨神的天堂特拉洛克。根据这一解释,本研究探讨了圣母玛利亚与古代纳华人的地球和生育之神托纳津之间的关系,以显示基督教和中美洲传统之间存在的深刻的融合联系。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
The Barroque Paradise of Santa María Tonantzintla (Part I)
Abstract The baroque church of Santa María Tonantzintla is located in the Valley of Cholula in Central Mexican Plateau and it was built during 16th-19th century. Its interior decoration shows interesting symbolic fusion of Christian elements with Mesoamerican religious aspects of Nahua origin. The scholars of Mexican colonial art interpreted the Catholic iconography of Santa María Tonantzintla church as Assumption of Virgin Mary up to celestial kingdom and her coronation by the holy Trinity. One of those scholars, Francisco de la Maza, proposed the idea that apart from that the ornaments of the church evoke Tlalocan, paradise of ancient deity of rain known as Tlaloc. Following this interpretation this study explore a relation between Virgin Mary and ancient Nahua deity of Earth and fertility called Tonatzin in order to show profound syncretic bonds which exist between Cristian and Mesoamerican traditions.
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