{"title":"《法华经》中的场景。一幅古老的维吾尔族寺庙旗帜,上面有雕琢的碑文","authors":"P. Zieme","doi":"10.31250/1238-5018-2021-27-1-3-19","DOIUrl":null,"url":null,"abstract":"The temple banner IB 4781 of the former Ethnological Museum in Berlin (today: Hermitage Museum ВД 585) originates from Qočo (Dakianusšahri: afterwards D 222). A. Grünwedel gave its detailed description, but after his publication in 1905 it remained more or less untouched. The picture is based on an overall composition in which individual passages from the sutra have been integrated. The groups of figures arranged in the cloud scenes were examined in detail in Grünwedel's description. They are mostly bodhisattvas. In depicting the figures sitting around the Buddhas the painter has included figures seen from behind, so that one can correctly imagine a circle, which of course should indicate that all the figures are concentrated on the Buddha. The 10 text cartouches contain quotations in Old Uygur based on the Chinese text of the Lotus sutra. They are read here for the first time. In the paper these cartouche texts are studied as well as the names of the donors on the bottom of the temple banner.","PeriodicalId":236935,"journal":{"name":"Manuscripta Orientalia. International Journal for Oriental Manuscript Research","volume":"59 1","pages":"0"},"PeriodicalIF":0.0000,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Scenes from the Lotus Sutra. An Old Uygur Temple Banner with Cartouche Inscriptions\",\"authors\":\"P. Zieme\",\"doi\":\"10.31250/1238-5018-2021-27-1-3-19\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"The temple banner IB 4781 of the former Ethnological Museum in Berlin (today: Hermitage Museum ВД 585) originates from Qočo (Dakianusšahri: afterwards D 222). A. Grünwedel gave its detailed description, but after his publication in 1905 it remained more or less untouched. The picture is based on an overall composition in which individual passages from the sutra have been integrated. The groups of figures arranged in the cloud scenes were examined in detail in Grünwedel's description. They are mostly bodhisattvas. In depicting the figures sitting around the Buddhas the painter has included figures seen from behind, so that one can correctly imagine a circle, which of course should indicate that all the figures are concentrated on the Buddha. The 10 text cartouches contain quotations in Old Uygur based on the Chinese text of the Lotus sutra. They are read here for the first time. In the paper these cartouche texts are studied as well as the names of the donors on the bottom of the temple banner.\",\"PeriodicalId\":236935,\"journal\":{\"name\":\"Manuscripta Orientalia. International Journal for Oriental Manuscript Research\",\"volume\":\"59 1\",\"pages\":\"0\"},\"PeriodicalIF\":0.0000,\"publicationDate\":\"1900-01-01\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Manuscripta Orientalia. International Journal for Oriental Manuscript Research\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.31250/1238-5018-2021-27-1-3-19\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"\",\"JCRName\":\"\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Manuscripta Orientalia. International Journal for Oriental Manuscript Research","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.31250/1238-5018-2021-27-1-3-19","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
引用次数: 0
摘要
原柏林民族学博物馆(今艾尔米塔什博物馆ВД 585)的寺旗IB 4781源于qo (Dakianusšahri:后为D 222)。A. gr nwedel对它进行了详细的描述,但在他1905年出版后,它几乎没有被碰过。这幅画是基于一个整体的构图,其中来自佛经的个别段落被整合在一起。在格里恩韦德尔的描述中,对云彩场景中排列的人物群进行了详细的研究。他们大多是菩萨。在描绘围坐在佛像周围的人物时,画家包括了从背后看到的人物,因此人们可以正确地想象一个圆圈,这当然应该表明所有的人物都集中在佛像身上。这10个文本题图包含了基于华法经中文文本的旧维吾尔语引文。这是他们第一次在这里阅读。本文研究了这些浮雕文字以及寺旗底部的捐赠者姓名。
Scenes from the Lotus Sutra. An Old Uygur Temple Banner with Cartouche Inscriptions
The temple banner IB 4781 of the former Ethnological Museum in Berlin (today: Hermitage Museum ВД 585) originates from Qočo (Dakianusšahri: afterwards D 222). A. Grünwedel gave its detailed description, but after his publication in 1905 it remained more or less untouched. The picture is based on an overall composition in which individual passages from the sutra have been integrated. The groups of figures arranged in the cloud scenes were examined in detail in Grünwedel's description. They are mostly bodhisattvas. In depicting the figures sitting around the Buddhas the painter has included figures seen from behind, so that one can correctly imagine a circle, which of course should indicate that all the figures are concentrated on the Buddha. The 10 text cartouches contain quotations in Old Uygur based on the Chinese text of the Lotus sutra. They are read here for the first time. In the paper these cartouche texts are studied as well as the names of the donors on the bottom of the temple banner.