跨文化语用学视角下寒山诗的翻译策略研究

Li Baofeng, Shi Yixuan
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引用次数: 0

摘要

在日本、欧洲、美国等国,寒山和他的诗歌引起了学者和公众的极大热情。20世纪50年代以来,寒山诗在美国不断被翻译并成功传播,产生了巨大的影响。随着文化软实力的不断增强,中国非常重视优秀传统文化的对外翻译工作。翻译的媒介是语言,这是一种跨文化的语用实践。将跨文化语用学整合到古典诗歌翻译研究中,可以探讨译者在翻译过程中使用的思维和策略,从而为今后如何实现跨文化交际目标提供启示。1983年,由美国民间学者红松翻译的《冷山歌》是这首诗的第一部全英译本。本文运用跨文化语用学的方法,分析了红松《寒山诗》的英译策略及其对语言和文化差异的处理,为中国文学走出去,推动文化“走出去”提供一些启示。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
STUDY ON THE TRANSLATION STRATEGIES OF HANSHAN POEMS FROM THE PERSPECTIVE OF CROSS-CULTURAL PRAGMATICS
In Japan, Europe, the United States and other countries, Hanshan and his poems have intrigued great enthusiasm of scholars and the public. Since the 1950s, Hanshan poems have been constantly being translated and successfully spreading in the United States, which has exerted a great influence. With the continuous enhancement of the cultural soft power, China attaches great importance to the foreign translation of excellent traditional culture. The medium of translation is language, which is a cross-cultural pragmatic practice. By integrating cross-cultural pragmatics into studies of the classical poetry translation, the thinking and strategies used by translators in the process of translation can be explored in order to shed light on how to achieve cross-cultural communication goals in the future. In 1983, Songs of Cold Mountain translated by American folk scholar Red Pine is the first full English translation of the poetry. With the help of cross-cultural pragmatics, this paper analyzes the English translation strategy of Red Pine's Hanshan Poems and his handling of linguistic and cultural differences, which also provides some inspiration for Chinese literature to go out to the world and promote culture to "go global".
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