在海滩上打破颜色界限

David Menconi
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引用次数: 0

摘要

在第二次世界大战后的几十年里,海滩音乐的亚文化出现在北卡罗来纳州和南卡罗来纳州的种族隔离的海滨度假小镇上,度假的白人孩子会偷偷地穿过轨道到镇上“有色人种”地区的夜总会,从自动点唱机和dj那里听R&B歌曲。随之而来的是一种名为“shagging”的舞蹈风格,这些孩子们把它带到了大学,包括The Drifters, The Coasters,“5”Royales和许多其他R&B乐队在内的一代R&B乐队在校园兄弟会巡回演出。当那些白人孩子也开始组建乐队时,余烬乐队成为了当代最伟大的海滩乐队。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Breaking Color Lines at the Beach
In the decades after World War II, a subculture of beach music emerged in segregated, Jim Crw coastal resort towns in North and South Carolina, when vacationing white kids would sneak across the tracks to the nightclubs in the “colored” parts of town to listen to R&B songs from jukeboxes and deejays. A style of dance called “shagging” emerged to go with it, and those kids took it off to college, where a generation of R&B bands including The Drifters, The Coasters, “5” Royales and many others played the campus frat-house circuit. When those white kids started forming bands, too, The Embers emerged as the greatest of the latterday beach bands.
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