E. Capello
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引用次数: 0

摘要

这一章考察了“大众崇高”的创造,特别关注阿尔伯特·奥普蒂,他曾陪同罗伯特·皮尔里在19世纪90年代进行北极探险。19世纪的北极图像将崇高从美学话语转化为娱乐,同时也将约翰·富兰克林、伊利亚·肯特·凯恩或罗伯特·皮尔里等探险家转变为家喻户晓的名字。他自诩为“北极历史画家”,制作了一个视觉语料库,在博物馆画廊和大众媒体上展示了北极,从杂志插图到立体模型再到便士烟草卡。这一章认为,奥普蒂的计划强化了公众对北极的想象,使其成为一处壮丽的景观,尽管该地区的地图越来越清晰,也越来越容易接近。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Albert Operti
This chapter examines the creation of a “popular sublime” focusing particularly on Albert Operti, who accompanied Robert Peary’s 1890s Arctic expeditions. Nineteenth-century images of the Arctic translated the sublime from aesthetic discourse to entertainment while also transforming explorers such as John Franklin, Elijah Kent Kane, or Robert Peary into household names. A self-dubbed “Arctic historical painter,” Operti crafted a visual corpus that presented the Arctic both in museum galleries and in popular media, ranging from magazine illustrations to dioramas to penny tobacco cards. Operti’s project, the chapter argues, bolstered the public imaginary of the Arctic as a sublime landscape even as the region became more mapped and more accessible.
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