活的民俗:无限的创造力

H. N. Hidayat, W. Wasana, Pramono Pramono, Sabar Sabar, P. Husodo
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引用次数: 1

摘要

本文阐述了民间传说转化的形式。民俗学作为一种口述艺术,在现代媒介的多种形式中发生了转变,使其更容易为当代人所了解和熟悉。在新的形式下,民间传说被认为能够超越它的时代。另一方面,关于民间传说的理论和研究也很多。美学、文学、文本、语境、历史、地理和人类学是通常用于民俗研究的科学领域。然而,所有尚未能够回答的问题是,民俗学和民俗学作为一门科学学科是否存在新颖性?民间传说中涉及数字设备的数量惊人地增长。在民俗学计算下,地理和历史方法似乎是民俗学发展中可靠的导航技术。数字时代的民间传说是一种复杂的、有时令人困惑的表达方式。然而,在这个数字时代,几种不同的民间传说
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Living Folklore: Unlimited Creativity
This paper describes the form of folklore transformation. Folklore, which is identic with orality, transformed in several forms of modern media so that it is more accessible and familiar with the current generation. In its new form, folklore is considered to be able to surpass its era. On the other hand, there have been many theories and studies on folklore. Aesthetics, literature, textual, contextual, historical, geographic, and anthropological are fields of science commonly used for folklore studies. However, all has not yet been able to answer the question, is there a novelty in folklore and folkloristics as a scientific discipline? Folklore has shown astounding growth involving digital devices. Under the folkloristic computation, geographical and historical methods seem to be reliable navigation technology in the folklore development. Folklore in the digital age is a complex and sometimes confusing arrangement of expressions. However, in this digital era, several varieties of folklore
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