{"title":"川内凛子:不完美的照片","authors":"Clara Masnatta","doi":"10.51427/com.jcs.2022.0017","DOIUrl":null,"url":null,"abstract":": The oeuvre of contemporary Japanese photographer Rinko Kawauchi is characterized by an approach that gives precedence to process over product and combines conceptual art with vernacular traditions, making her pictures happily imperfect. Starting with Kawauchi’s transmedial concept of the image, often positioned be-tween word and image and mainly materialized through photo books, I propose that Kawauchi’s photographs are imperfect thanks to her experimentation with technical mistakes, the vernacular subject-matter of everyday snapshots, seriality, sequencing, and format variation, elliptical visibility, the aesthetics of color, and a non-linear temporality. Imperfection,furthermore,emphasizesthematerialityofthemedium,andremovesphotographyfromthereferent-centereddocumentary domainbywayof aesthetic , rather than semiotic, significance. Im-perfection also activates different modes of reception, emphasizing emotional involvement and participant viewing.","PeriodicalId":171699,"journal":{"name":"Compendium : Journal of Comparative Studies = Revista de Estudos Comparatistas","volume":"56 5","pages":"0"},"PeriodicalIF":0.0000,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Rinko Kawauchi: Imperfect Photographs\",\"authors\":\"Clara Masnatta\",\"doi\":\"10.51427/com.jcs.2022.0017\",\"DOIUrl\":null,\"url\":null,\"abstract\":\": The oeuvre of contemporary Japanese photographer Rinko Kawauchi is characterized by an approach that gives precedence to process over product and combines conceptual art with vernacular traditions, making her pictures happily imperfect. Starting with Kawauchi’s transmedial concept of the image, often positioned be-tween word and image and mainly materialized through photo books, I propose that Kawauchi’s photographs are imperfect thanks to her experimentation with technical mistakes, the vernacular subject-matter of everyday snapshots, seriality, sequencing, and format variation, elliptical visibility, the aesthetics of color, and a non-linear temporality. Imperfection,furthermore,emphasizesthematerialityofthemedium,andremovesphotographyfromthereferent-centereddocumentary domainbywayof aesthetic , rather than semiotic, significance. Im-perfection also activates different modes of reception, emphasizing emotional involvement and participant viewing.\",\"PeriodicalId\":171699,\"journal\":{\"name\":\"Compendium : Journal of Comparative Studies = Revista de Estudos Comparatistas\",\"volume\":\"56 5\",\"pages\":\"0\"},\"PeriodicalIF\":0.0000,\"publicationDate\":\"1900-01-01\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Compendium : Journal of Comparative Studies = Revista de Estudos Comparatistas\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.51427/com.jcs.2022.0017\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"\",\"JCRName\":\"\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Compendium : Journal of Comparative Studies = Revista de Estudos Comparatistas","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.51427/com.jcs.2022.0017","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
: The oeuvre of contemporary Japanese photographer Rinko Kawauchi is characterized by an approach that gives precedence to process over product and combines conceptual art with vernacular traditions, making her pictures happily imperfect. Starting with Kawauchi’s transmedial concept of the image, often positioned be-tween word and image and mainly materialized through photo books, I propose that Kawauchi’s photographs are imperfect thanks to her experimentation with technical mistakes, the vernacular subject-matter of everyday snapshots, seriality, sequencing, and format variation, elliptical visibility, the aesthetics of color, and a non-linear temporality. Imperfection,furthermore,emphasizesthematerialityofthemedium,andremovesphotographyfromthereferent-centereddocumentary domainbywayof aesthetic , rather than semiotic, significance. Im-perfection also activates different modes of reception, emphasizing emotional involvement and participant viewing.