形成学生演员与木偶互动的塑性表现力创作体验

P. S. Sitnikov
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引用次数: 0

摘要

研究的相关性是由于需要拓展培养未来演员可塑性表达能力的教学手段。本文的目的是证实演员与自己制作的拟人化物体(木偶)进行塑性群体互动以发展塑性表达的教学可能性。作者分析了木偶在各种艺术形式中的运用,并提出了在“造型表现力”学科的高校戏剧演员的教育和演出过程中运用木偶的实践经验。描述了表演和塑料经验的相关组成部分,如创意、合作、专业和实践。本文确定了学生与木偶进行小组互动的标准和独立创作任务“木偶”的工作阶段。揭示了学生在任务过程中传递给木偶的可塑表情的基本组成部分,如呼吸、可塑语调、动态等。在木偶独立创作任务中形成可塑性经验的发展潜力,如在管理对象的帮助下覆盖给定主题的多样性,创造性思维,想象力的发展,克服心理和沟通障碍等。本文的研究对象是戏剧院校的教师、辅助教育的教师。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
FORMING CREATIVE EXPERIENCE OF PLASTIC EXPRESSIVENESS OF STUDENT ACTORS IN INTERACTION WITH A PUPPET
The relevance of the research is caused by the need to expand pedagogical means of developing plastic expressiveness of future actors. The purpose of the article is to substantiate the pedagogical possibilities of actors' plastic group interaction with an anthropomorphic object (a puppet) made by themselves in order to develop plastic expression. The author analyzes the use of a puppet in various art forms and presents practical experience of using a puppet in educational and staging process of a drama actor at universities and colleges within the discipline "Plastic Expressiveness". The interrelated components of acting and plastic experience, such as creative, partner, professional and practical, are described. The article determines the criteria for students' group interaction with a puppet and the stages of work on an independent creative task "A Puppet". The basic components of plastic expression, such as breathing, plastic intonation, dynamics and others, transmitted by students to the puppet during the task are revealed. The developmental potential of forming plastic experience in an independent creative task with a puppet, such as variety of covering a given topic with the help of a managed object, development of creative thinking, imagination, overcoming psychological and communicative barriers, and others, are presented. The article is addressed to teachers of theater colleges and universities, teachers of supplementary education.
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