用隐马尔可夫模型对作曲家的旋律分类

E. Pollastri, G. Simoncelli
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引用次数: 46

摘要

作者使用隐马尔可夫模型(hmm)来抽象作曲家的风格,并从未知的摘录中识别它。我们使用了由五位著名作曲家(莫扎特、贝多芬、德沃夏克、斯特拉文斯基、披头士)创作的605个音乐主题的数据集。基于描述性统计的初步调查服务于选择一组合适的音乐表现形式的目的。然后,对于每个表示和每个作曲家,使用从作品中提取的旋律线子集来训练HMM。然后,如果相应的HMM给出该序列的最高概率,则将未知旋律归类为属于作曲家。用马尔可夫链进行的实验和在人体上进行的试验被用作比较的术语。使用hmm获得的最佳结果是平均42%的成功分类,在-10和+10半音区间的字母表中获得,hmm为18阶。在仅基于风格假设的人类分类中,我们测量了音乐业余爱好者的24.6%和音乐专家的48%。综上所述,hmm在作曲家旋律分类方面的表现几乎与音乐专家一样好,然而,记忆模型已经被证明在音乐分类过程中起着基本的作用,需要在实际应用中加以考虑。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Classification of melodies by composer with hidden Markov models
The authors use hidden Markov models (HMMs) for abstracting the style of a composer and for recognizing it from an unknown excerpt. We employed a data set of 605 musical themes written by five well-known composers (Mozart, Beethoven, Dvorak, Stravinsky, Beatles). A preliminary investigation based on descriptive statistics served the purpose of choosing a group of suitable music representations. Then, for each representation and for each composer a HMM was trained with the subset of melodic lines extracted from the pieces. An unknown melody is then classified as belonging to a composer if the corresponding HMM gives the highest probability for that sequence. Experiments with Markov chains and tests on human subjects were used as a term of comparison. The best results achieved with HMMs was 42% successful classifications on average, obtained with an alphabet of intervals between -10 and +10 semitones and with HMMs of order 18. In the case of human classification based only on stylistic assumption, we measured 24.6% for music amateurs and 48% for music experts. In conclusion, HMMs performed nearly as well as a music expert in the classification of melodies by composer, nevertheless, memory models have been proven to play a fundamental role in the process of music classification and need to be taken into consideration for practical applications.
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