《东方游记》和民族刻板印象。“最好的异国金盏花酒店”作为当代社会和文化问题的描述

Ewa Górecka
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引用次数: 0

摘要

本分析的主题是电影《最好的异国金菊酒店》中当代东方之旅的形象和民族刻板印象(英国人,印度人)。从鲍曼对后现代生活的隐喻的角度分析了印度之旅的形象,其中包含了身份的定义。马登作品中的旅程是一种介于游客的探险和流浪汉的流浪之间的冒险,从而构成了对源自西方文化的老年人当代生活的隐喻。对民族刻板印象(自形象、异性形象)的使用以及在其中发生的转变进行了反思。事实证明,英国老年人的印度之旅形象结合了喜剧元素和对当代文化关键现象的反思,如一种新的生活形式,西方特有的对经验的崇拜作为个人发展的条件,以及对旅行及其参与者的新刻板印象的形成。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Journey to the East and national stereotypes. "The Best Exotic Marigold Hotel" as a depiction of contemporary social and cultural issues
The subject of this analysis is the image of a contemporary trip to the East and national stereotypes (Englishman, Indian) in the movie The Best Exotic Marigold Hotel. The image of the trip to India is analysed from the perspective of Bauman’s metaphors of postmodern life, in which theredefinition of identity is inscribed. The journey in Madden’s work is presented as an escapade somewhere between the expedition of a tourist and the wanderings of a vagabond, thus constituting a metaphor for the contemporary life of senile people originating from Western culture. Theuse of national stereotypes (auto-images, hetero-images) and the transformations taking place within them are reflected upon. It turns out that the image of the trip of the elderly English people to India combines comedic elements with reflections on the key phenomena of contemporaryculture, such as a new form of life, the cult of experience characteristic of the West as a condition for the development of the individual, and the formation of a new stereotype of the journey and its participant.
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