J. Kaczmarek, A. Kapusta
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摘要

到目前为止,对地诗学的思考强调了地理经验决定文学作品创作基础的假设。实践空间的公认前提允许人文学科中所谓的地形转向。在提出的研究概念中,我们正朝着一个不同的方向前进,即我们想考虑以下表述:诗学先于地理经验。因此,我们引入了“反向地学”这个术语。我们假设这个词塑造了景观,它是空间决定的原因。我们选择了一个虚空作为我们研究的本质,在这个虚空中,我们感知到某人或某事的缺失,并等待潜在的事件发生。人们可以考虑“无”而不是无处不在的“有”。我们把这种进入一个新的认识论领域的思路称为“缺席地理学”。在提出的考虑中,我们使用了空间符号学的元素。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Rozważania semiotyczne o geopoetyce odwróconej
The considerations on geopoetics have so far emphasized the assumption that geographical experience determines the foundations for the creation of a literary work. The accepted premises for practicing spaceallowed the so-called topographic turn in the humanities. In the presented research concept, we are heading in a different direction, namely we would like to consider the following formulation: poetics precedes geographical experience. Therefore, we introduce the term reversed geopoetics. We assume that the word shapes the landscape and that it is thecause of spatial determination. We chose a void as the essence of our research, in which we perceive the lack of someone or something and wait for potential events. One can consider “nothing” instead of the ubiquitous “something”. We called this thread of thinking, entering a new epistemological area, “thegeography of absence”. In the considerations presented, we used elements of the semiotics of space.
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